Posted by Nat Bernstein
It took opposite journeys for a mother and daughter to each find themselves at the start of their adult lives: one needed to leave France to discover herself; the other needed to return to Paris to discover her family—the side that “didn’t have dealings with the Nazis. They occasionally traded goods with the Nazis,” as her grandmother insists.
The other side, as you may have guessed, is immortalized in the three-volume graphic memoir Maus: A Survivor’s Tale. Lest you think I’m going on a cartoonist craze after last week’s feature, Nadja Spiegelman’s memoir has little to say about her father or his work. Instead, I’m Supposed to Protect from All This is about the relationship between Nadja and her mother, New Yorker art director Françoise Mouly, strained by the echoes of Mouly’s own upbringing between two eccentric parents and the families that raised them, in turn.
- In Love With Art: Françoise Mouly's Adventures in Comics with Art Spiegelman by Jeet Heer
- Miranda Richmond Mouillot: How to Ask
- Tahneer Oksman: "Where Should the Story Begin?" The Worlds of Holocaust Graphic Memoirs