This is the first page of a comic book I’m working on. It’s based on the Bintel Brief, a popular Yiddish advice column published in the Forvertz Newspaper beginning in 1906. It was the brainchild of Abraham Cahan, the man behind the huge success and sophistication of the Forvertz.About this page: Jacob Zemsner is a fictional character, and this myth about the tears is fictional too, but Abraham Cahan is one of my favorite real characters ever, a self-made American. His face really was vaguely heart-shaped, and he was cross-eyed and terribly embarrassed about that. More facts: he loved Charles Dickens. He was a humanist from a distance, a misanthropist close-up. He was an anarchist (he had to flee Eastern Europe at twenty-two because he was involved with the group that had assassinated the Czar), then a socialist, but not enough of a purist to satisfy any die-hard idealogues. He kept remaking himself. I completely recommend his autobiography, the Education of Abraham Cahan. A page-turner. Also his novel, The Rise of David Levinsky, which is slightly dated but no less wonderful because of that. And easier to find in a library than his autobiography.
In art you have to painstakingly build a story (first you have to painstakingly build a self to tell it). Once your house is complete, down to the artificial windows, real light will shine through. I hope something will shine through these stories, in the lines and letters. Whatever the outcome, I’ll make comics for the rest of my life. Time is a good tool for art.
Liana Finck is the author of Passing for Human and Excuse Me and a regular contributor to The New Yorker. She is a recipient of a Fulbright Fellowship, a New York Foundation for the Arts Fellowship, and a Six Points Fellowship for Emerging Jewish Artists. She has had artist residencies with MacDowell, Yaddo, the Lower Manhattan Cultural Council, Headlands Center for the Arts, and Willapa Bay.