Fic­tion

Over­ture

Yael Gold­stein
  • Review
By – February 17, 2012
Over­ture is a roman­tic sto­ry about great musi­cal tal­ent, but no musi­cal lit­er­a­cy is required to thor­ough­ly enjoy this debut nov­el, which describes three gen­er­a­tions of mother/​daugh­ter rela­tion­ships, student/​mentor inter­ac­tions, artis­tic tem­pera­ments, com­pos­ing vs. per­form­ing, ful­fill­ment and heart­break, self-sac­ri­fice and self­ish­ness. Natasha Darsky, the most famous vio­lin­ist since Pagani­ni,” is quite a celebri­ty. We are privy to the glam­our in her whirl­wind life, as Gold­stein describes her world-wide com­pe­ti­tions and per­for­mance tours. We read about Natasha’s loves — her manager/​parents, the artis­tic men in her life, and her daugh­ter, Alex, who grows to sur­pass her mother’s cre­ative genius in music. The sto­ry takes place in New York City, on Amer­i­can col­lege cam­pus­es, and on for­eign musi­cal stages.

Miri­am Brad­man Abra­hams, mom, grand­mom, avid read­er, some­time writer, born in Havana, raised in Brook­lyn, resid­ing in Long Beach on Long Island. Long­time for­mer One Region One Book chair and JBC liai­son for Nas­sau Hadas­sah, cur­rent­ly pre­sent­ing Inci­dent at San Miguel with author AJ Sidran­sky who wrote the his­tor­i­cal fic­tion based on her Cuban Jew­ish refugee family’s expe­ri­ences dur­ing the rev­o­lu­tion. Flu­ent in Span­ish and Hebrew, cer­ti­fied hatha yoga instructor.

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