Non­fic­tion

Hostage

  • Review
By – September 29, 2025

To read Eli Sharabi’s mem­oir about his 491-day cap­tiv­i­ty by Hamas, writ­ten and pub­lished mere months after his release, defies log­ic in some ways. It defies what is taught in both psy­chol­o­gy class­es and writ­ing class­es: that one needs time to process, to obtain per­spec­tive. Read­ing Eli Sharabi’s mem­oir, Hostage, breaks those con­ven­tions wide open. 

The prose reads like it is burst­ing forth, urgent and press­ing — and with hostages still being held in Gaza, the imme­di­a­cy is very real. 

The book opens on Octo­ber 7, 2023, after ter­ror­ists have burst into Sharabi’s house. Before the first ten pages are over, Shara­bi is in Gaza, kid­napped along­side a Thai agri­cul­tur­al work­er named Khun. But before Shara­bi even cross­es that bor­der, he goes into sur­vival mode: I focus and con­cen­trate on one mis­sion: sur­viv­ing to return home.” Shara­bi recounts his cap­tiv­i­ty in the present tense, with stark detail. We are intro­duced to Almog Sarusi, Hersh Gold­berg-Polin, Alon Ohel, Ori Dani­no, Eliya Cohen, Or Levy, and, even­tu­al­ly, Ohad Ben Ami. He writes about mov­ing from the house in which he was ini­tial­ly kept to the tun­nels, about the var­i­ous con­di­tions of dif­fer­ent tun­nels, and he details the moods and whims of his cap­tors, which often fore­shad­owed how the hostages would be treated. 

Despite the hell­ish con­di­tions they were in and the cru­el­ty they faced, Shara­bi makes clear that it was the bonds between him and his fel­low cap­tives that helped him to sur­vive. Shara­bi was not par­tic­u­lar­ly reli­gious, but he and the oth­er hostages had Kid­dush every Fri­day night, since Eliya was obser­vant. Shara­bi found solace in prayers like the She­ma, along with oth­er Jew­ish rit­u­als: I don’t know if I feel G‑d in those moments. But I feel pow­er. I feel a con­nec­tion. To my peo­ple. To our tra­di­tion. To my iden­ti­ty. It con­nects me to my fam­i­ly. To my child­hood. To my roots. It reminds me why I must sur­vive. Who I’m sur­viv­ing for. What I’m sur­viv­ing for.” 

The vast major­i­ty of the book is about his time in Gaza as a hostage. His release and life after­ward only take up the last cou­ple dozen pages, and while the prose is still forth­right and detail-ori­ent­ed, astute read­ers will sense a shift — a guard­ed­ness in Sharabi’s writ­ing. While read­ers might want to learn more about his life post-cap­tiv­i­ty, that’s not the focus of this book. 

Hostage is a mem­oir that bears wit­ness to the atroc­i­ties of Octo­ber 7 and, at the same time, makes the expe­ri­ence very per­son­al and inti­mate. While Shara­bi large­ly resists phi­los­o­phiz­ing and search­ing for deep­er mean­ings, his obser­va­tions and thoughts on sur­vival, endurance, and hope are much need­ed at this moment. As he writes, Hope is nev­er some­thing that comes eas­i­ly. It’s always some­thing you’ve got to fight for, to work on. Like Kid­dush every Fri­day night, like Eliya’s Hav­dalah songs at the end of every Sab­bath, like the prayers that open every morn­ing, this cir­cle of thanks­giv­ing is some­thing that we stick to, cling to, cleave to. To search for some­thing good. To stay opti­mistic. To win.” 

Jaime Hern­don is a med­ical writer who also writes about par­ent­ing and pop cul­ture in her spare time. Her writ­ing can be seen on Kveller, Undark, Book Riot, and more. When she’s not work­ing or home­school­ing, she’s at work on an essay collection.

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