December 11, 2024

A beau­ti­ful­ly illus­trat­ed tale of tra­di­tion­al crafts and com­mu­nal power.

Rachelle is a young girl liv­ing in Fès, Moroc­co in 1920. Sur­round­ed by a warm com­mu­ni­ty of friends, fam­i­ly, and crafts­peo­ple – both Jew­ish and Mus­lim – Rachelle spends her days play­ing with oth­er young girls in her neigh­bor­hood, try­ing on her grand­moth­er’s amulets, play­ing jokes on a nosy pho­tog­ra­ph­er, and watch­ing her par­ents as they spin del­i­cate threads made of gold at their jew­el­ry work­shop each day. Life in Rachelle’s neigh­bor­hood, the mel­lah, is busy, nour­ish­ing, and filled with mag­ic. But rumors of a machine (or is it a mon­ster?) com­ing from across the sea threat­en to change the mel­lah and the lives of its crafts­peo­ple for­ev­er. Band­ing togeth­er with her grand­moth­er, her par­ents, and the oth­er jew­el­ry mak­ers, Rachelle and four of her friends work togeth­er to put a stop to the machine’s arrival – but only time will tell if they can save the vibrant world of the mel­lah and its beau­ti­ful gold­en threads for good.

Gold­en Threads draws on a series of inspir­ing his­tor­i­cal episodes in Fès, when Jew­ish and Mus­lim arti­sans orga­nized togeth­er against the intro­duc­tion of a new machine that threat­ened to replace their man­u­al labor and com­pro­mise their cher­ished way of life. A book for both mid­dle grade read­ers and for adults read­ing aloud to younger chil­dren, Gold­en Threads will take peo­ple of all ages on a jour­ney into the mul­ti-faith world of Moroc­co’s crafts­peo­ple, inspir­ing gen­er­a­tive con­ver­sa­tions about art, labor, com­mu­ni­ty, and tech­nol­o­gy for years to come.

Discussion Questions

Gold­en Threads is a lumi­nous ode to Sephardic life in 1920s Fès, Moroc­co that cel­e­brates the lan­guages, land­scapes, sounds, and inti­mate rit­u­als of a Jew­ish mel­lah. Through eight-year-old Rachelle’s curi­ous eyes, the book hon­ors inter­gen­er­a­tional con­ver­sa­tion and exchange, grand­moth­ers’ amulets, and the artistry of gold thread — a liv­ing Sephardic cul­ture ground­ed in fam­i­ly, faith, and craft. The rich­ly illus­trat­ed scenes cap­ture sen­so­ry mem­o­ry, invit­ing read­ers to expe­ri­ence Jew­ish and Mus­lim arti­sans and their fam­i­lies in com­mu­ni­ty. The book cel­e­brates coex­is­tence and inter­de­pen­dence through mem­o­ries and storytelling.

At the heart of the nar­ra­tive is the craft of fil­i­gree and gold-thread spin­ning. By lin­ger­ing on tech­niques, tools, and the del­i­cate labor of jew­el­ry-mak­ing, the book ele­vates arti­sanal knowl­edge as a pil­lar of Sephardic con­ti­nu­ity. As the evoca­tive refrain states: no machine could embroi­der like us.” 

The judg­ing com­mit­tee was espe­cial­ly impressed by how the book’s text and images con­verse to cre­ate a rich­ly lay­ered, immer­sive expe­ri­ence. Hand draw­ings, glos­saries of images and def­i­n­i­tion, archival pho­tographs, and oth­er expres­sive illus­tra­tions appear along­side the sto­ry to evoke mem­o­ry, place, and craft. This mul­ti­me­dia approach invites read­ers to read, look, and learn simul­ta­ne­ous­ly. The result is an engag­ing for­mat that mod­els how sto­ry­telling, visu­al cul­ture, and his­to­ry can inter­twine to illu­mi­nate Sephardic life for audi­ences of all ages.