Fic­tion

Spin­ning at the Edges

  • Review
By – May 8, 2026

Spin­ning at the Edges, the lat­est nov­el from author and poet Eliz­a­beth Polin­er, weaves an engross­ing tale of a fam­i­ly attempt­ing to find joy in the after­math of the Holo­caust. With vivid sto­ry­telling, Polin­er fol­lows Ruth Pearl and her par­ents as they flee Ger­man-occu­pied Ams­ter­dam for Amer­i­ca, describ­ing their ever-increas­ing web of friend­ships and rela­tion­ships over the decades. Employ­ing shift­ing time­lines and char­ac­ter per­spec­tives, Polin­er depicts the human strug­gle to build fam­i­lies, find love, cre­ate com­mu­ni­ty, and, most of all, redis­cov­er hope after life has brought chal­lenges and dev­as­tat­ing pain. Polin­er also expert­ly con­veys the dev­as­tat­ing effects of mis­com­mu­ni­ca­tion with­in fam­i­lies and even between acquain­tances and neigh­bors, along with the pow­er of empa­thy in healing.

The nov­el tog­gles between two main time­lines and set­tings. In the ear­li­er time­line, a young Rut­tie Pearl endures her sister’s mur­der before her fam­i­ly escapes the Holo­caust. In the sec­ond cen­tral time­line, Ruttie’s name has been Amer­i­can­ized to Ruth; she’s an old­er woman who lives in a small New Eng­land town and is intent on pre­serv­ing her lake view.

The nov­el cen­ters on one dra­mat­ic moment when Ruth, head­ing out to skate, stum­bles upon a teen boy just as he’s falling through the ice. Ruth and a local judge res­cue the teen and care for him. The encounter not only alters the tra­jec­to­ry of their lives but also affects the peo­ple who love them, includ­ing Stephanie, Ruth’s daugh­ter. Polin­er also sets the unfold­ing dra­ma on frozen Lake Topaqua against the back­drop of the uncer­tain­ty of the con­tro­ver­sial 2000 U.S. pres­i­den­tial elec­tion. The jux­ta­po­si­tion allows her char­ac­ters to puz­zle through how to pur­sue lov­ing rela­tion­ships and sta­bil­i­ty in an uncer­tain polit­i­cal climate.

The nov­el also explores the dam­age that results when fam­i­ly mem­bers keep secrets from each oth­er. The cen­tral two char­ac­ters — Ruth and Stephanie — are shown as unable to ful­ly con­nect, in part because Ruth skates around her truth, unable to ful­ly reveal the pain of her child­hood. Polin­er is par­tic­u­lar­ly effec­tive in describ­ing the painful rela­tion­ship between Ian, the teenag­er whom Ruth helps res­cue, and his moth­er, who isn’t aware of the degree to which her son is strug­gling emotionally. 

Through­out the nov­el, Polin­er shows her mas­tery of lan­guage and her back­ground in poet­ry through beau­ti­ful imagery. She moves seam­less­ly between Ams­ter­dam, Wash­ing­ton, D.C., and Con­necti­cut, allow­ing read­ers to immerse them­selves in each set­ting and time peri­od. In addi­tion, by skip­ping between close third per­son per­spec­tives, Polin­er con­vinc­ing­ly tells the sto­ries of mul­ti­ple, some­times seem­ing­ly unre­lat­ed, char­ac­ters, ulti­mate­ly reveal­ing how their com­pli­cat­ed lives are inter­con­nect­ed. Polin­er goes back­wards in time to describe the hopes and needs of Ruth’s par­ents, along with how their spir­its were crushed. Under­stand­ing Ruth’s moth­er and father helps the read­er absorb how their trau­ma affect­ed not just Ruth, but Stephanie, their grand­daugh­ter, even though she was born decades after the war’s end.

Ulti­mate­ly, in Spin­ning at the Edges, Polin­er has cre­at­ed a pow­er­ful study of the strength and fragili­ty that comes with every human con­nec­tion, as well as the effect of inter­gen­er­a­tional trauma.

Anna Stol­ley Per­sky, a jour­nal­ist and lawyer by back­ground, writes fic­tion and cre­ative non­fic­tion. She’s been pub­lished in The Wash­ing­ton Post, Mys­tery Tri­bune, Ellery Queen, and Pit­head Chapel.

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