Non­fic­tion

The Lines We Draw: The Jour­nal­ist, the Jew and an Argu­ment About Identity

  • Review
By – February 11, 2026

Tim Franks begins The Lines We Draw by observ­ing that any good news orga­ni­za­tion does not hire reporters who know the truth before they inves­ti­gate it. In this book, Franks — a long­time BBC cor­re­spon­dent — uses his report­ing skills to delve into his ances­try and exam­ine the age-old ques­tion of what it means to be a Jew. 

Franks grew up in Birm­ing­ham, Eng­land in the 1970s and 1980s, where Jews were a minute minor­i­ty” and anti-Semi­tism, like racism, ran bone deep.” From an ear­ly age, a some­what cir­cum­spect Franks found him­self with a curios­i­ty that is fun­da­men­tal to any jour­nal­ist. In The Lines We Draw, he dis­cov­ers an extra­or­di­nar­i­ly rich fam­i­ly his­to­ry that he unrav­els all the way back to the Por­tuguese and Span­ish Inqui­si­tions. He begins with his great-great-great-great-great-great grand­moth­er, Esther, a Mar­ra­no born dur­ing the Inqui­si­tion; and stretch­es all the way to the renowned con­gre­ga­tion Bevis Marks Syn­a­gogue in Lon­don and to Birm­ing­ham. Along the way, he dis­cov­ers that his fam­i­ly ties run through the nine­teenth-cen­tu­ry British Prime Min­is­ter Ben­jamin Dis­raeli. Franks’s enor­mous fam­i­ly tree spreads across cen­turies and across Europe, aug­ment­ed by a haunt­ing map­ping of fam­i­ly mem­bers who per­ished in the Holo­caust. Franks ben­e­fits from a rich cast of ances­tors, as does the reader.

The his­to­ry of the Jew tells us that even if we choose to dis­en­gage, oth­ers may still be all too keen to tell our sto­ries on our behalf,” Franks observes. That’s why he wrote this book: to write his own his­to­ry. In doing so, he seeks con­nec­tion, not only to his ances­tors and to Jews across the world. For him, the link between jour­nal­ism (espe­cial­ly inves­tiga­tive jour­nal­ism) and Jew­ish­ness is the need to be defi­ant, out­ward-look­ing, ques­tion­ing, self-ques­tion­ing, risk-tak­ing, tick­led by the beau­ty of things, trou­bled — real­ly trou­bled — by the wrong­ness of things.”

Each of our iden­ti­ties is bound up in sto­ries — the ones we research, the ones we tell our­selves. The key becomes who nar­rates the sto­ry, and this is where the reporter and the search­ing Jew come togeth­er in a fas­ci­nat­ing narrative.

Jo-Ann Mort, a poet and jour­nal­ist, lives in Brook­lyn. She pub­lished her first book of poet­ry, A Pre­cise Chaos, at age 69. Co-author of Our Hearts Invent­ed a Place: Can Kib­butz­im Sur­vive the New Israel? and edi­tor of Divine Human Encounter: The Path to God in the Thought of Hes­chel, she is a wide­ly pub­lished ana­lyst and reporter on Israel.

Discussion Questions