Fic­tion

The Per­sian

  • Review
By – October 13, 2025

In the wake of the recent Twelve Day War between Israel and Iran, nov­el­ist David McCloskey’s immer­sive espi­onage nov­el feels excep­tion­al­ly time­ly, plung­ing read­ers deep into the cold­er” but often dead­ly shad­ow war the two coun­tries wage. For the most part, it’s a high­ly enter­tain­ing, impres­sive­ly con­vinc­ing achieve­ment that bears com­par­i­son to some of the best work of Daniel Sil­va and Tom Clan­cy. The Per­sian con­tains many char­ac­ters, each strug­gling with sundry shift­ing per­spec­tives on the rapid and often fate­ful deci­sions they must make, yet some­how McCloskey makes it cohere so adroit­ly that the read­er is nev­er lost. And the author’s often deliri­ous­ly fast-paced prose, rich­ly descrip­tive but nev­er over­bear­ing, is exact­ly what many read­ers tend to applaud in this kind of suspense/​spy fiction. 

The epony­mous char­ac­ter is Kam­ran Esfa­hani, an unsuc­cess­ful Iran­ian Jew­ish den­tist raised in Swe­den, lured into the dan­ger­ous shad­owy world of high-stakes espi­onage. If at times a most reluc­tant and fear­ful spy, he even­tu­al­ly deter­mines to rise to the occa­sion, goad­ed by the knowl­edge that his tar­get was the exact brand of theo­crat­ic, fas­cist, racist Per­sian who’d pushed my fam­i­ly out of Iran — our home for thou­sands of years — and was now lay­ing siege to Israel, that great fortress for oth­er Jews, in the hopes of burn­ing it to the ground with sev­en mil­lion of them inside.” Unfor­tu­nate­ly, things don’t quite go his way. Fol­low­ing ses­sions of tor­ture, his elab­o­rate­ly detailed con­fes­sions to his Iran­ian cap­tors — detail­ing var­i­ous har­row­ing deeds per­formed on behalf of Mossad — make for heady read­ing. The haunt­ing ques­tion of whether his con­fes­sions reveal the whole truth to the read­er lingers tan­ta­liz­ing­ly until the final page. 

This novel’s cycles of vio­lence and ret­ri­bu­tion, its char­ac­ters’ lives filled with duplic­i­ty and ago­niz­ing betray­als, could make for grim read­ing. But its short chap­ters often prove quite wit­ty and sur­pris­ing­ly inven­tive. Jug­gling mul­ti­ple threads and time­lines, the nar­ra­tive switch­es from first to third per­son, as read­ers gain ever-shift­ing per­spec­tives on the white-knuck­le action and its fate­ful con­se­quences. Char­ac­ters are vivid­ly drawn and often endear­ing­ly quirky, such as this sketch of Arik Glitz­man, the narrator’s Israeli han­dler: Napoleon­ic, short and paunchy with a thatch of black hair and a round face bright with a wide smile. There was fun in his eyes and if they had not belonged to a secret ser­vant of the State … they might have belonged to a magi­cian, or a kinder­garten teacher.” With such deft­ly cin­e­mat­ic descrip­tions and sure­foot­ed dia­logue, some read­ers may find them­selves already cast­ing the inevitable film ver­sion in their heads. Glitz­man heads an elite team with­in the Cae­sarea Divi­sion, respon­si­ble for cyber­at­tacks, sab­o­tage, and occa­sion­al­ly tar­get­ed killings inside Iran against nuclear sci­en­tists and high-rank­ing mil­i­tary offi­cers. And yet poignant­ly, many of The Per­sians piv­otal char­ac­ters, on both sides of the con­flict, secret­ly day­dream of oth­er real­i­ties, serene land­scapes and open-end­ed futures, allur­ing pos­si­bil­i­ties that elude them in their world of intrigue, para­noia, and seem­ing­ly end­less vio­lent retribution.

While McCloskey pur­ports to adopt even­hand­ed­ness toward each side of the fes­ter­ing con­flict, there are a few moments that threat­en to under­mine this. With­in the first few pages, the Israelis exe­cute a sci­en­tist while painstak­ing­ly avoid­ing col­lat­er­al dam­age.” It’s a cringe­wor­thy moment, giv­en that we know how often that is not pre­cise­ly the case. And just a few pages lat­er we are intro­duced to an Iran­ian gen­er­al with a record of sadis­tic tor­ture appar­ent­ly unmatched by his more prin­ci­pled Israeli counterparts. 

Still, in a nov­el of this gen­er­ous scope and ambi­tion, these prove rel­a­tive­ly minor flaws. And pol­i­tics aside, McCloskey deserves full cred­it for weav­ing a col­or­ful, often inge­nious­ly plot­ted and excru­ci­at­ing­ly sus­pense­ful tale. As assured and fas­ci­nat­ing are the authen­tic ele­ments of espi­onage and spy­craft McCloskey wields so nim­bly, it is the often-human­iz­ing details and com­plex moti­va­tions that ensure his nov­el achieves the art and intri­ca­cy of lit­er­ary fic­tion at its very best. McCloskey is the author of three best­sellers and a for­mer CIA ana­lyst who served in field sta­tions across the Mid­dle East; and in con­struct­ing the world of this nov­el, he con­sult­ed with for­mer Mossad offi­cers as well as Ira­ni­ans. The author’s deep famil­iar­i­ty with his sub­ject illu­mi­nates every page of this book, eas­i­ly one of the best thrillers in recent memory.

Ranen Omer-Sher­man is the JHFE Endowed Chair in Juda­ic Stud­ies at the Uni­ver­si­ty of Louisville, author of sev­er­al books and edi­tor of Amos Oz: The Lega­cy of a Writer in Israel and Beyond.

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