iddish: A Global Culture is a full-color catalog of the permanent exhibition of the same name at the Yiddish Book Center. The author and Chief Curator of the center, David Mazower, organizes this hefty, well-designed volume around fifteen themes, some of which are bestsellers, women’s voices, Modernism, the Holocaust, music, typewriters, and celebrities. Each section opens with descriptive paragraphs on the theme, then unfolds with delightful images and insightful captions, providing an at-home experience of exploring a museum collection.
Mazower describes the methodology for the “panoramic story” told in the exhibition and the book as a “juxtaposition of artifacts, images, quotes, and narratives.” The eclecticism of the sections demonstrates the scope of Yiddish as a global culture without essentializing or homogenizing these histories. Underlying both the book and the exhibition are a series of principles that guided the intellectual formation of the project including exploring Yiddish as modern, global, and a mass public culture as well as attending to the voices of Yiddish women, underrepresented in scholarship; and contextualizing Yiddish books, the first mandate of the Yiddish Book Center.
Mazower’s thoughtful introduction contextualizes not only the exhibition and its intentions but also the book as imagined “to entertain and inform the widest range of visitors” and “connect emotionally through the power of our storytelling.” By these measures, the book is an extraordinary success. Clearly written with minimal jargon, Yiddish: A Global Culture is a perfect gift to invite neophytes into learning about and understanding the Yiddish past while galvanizing them to imagine themselves in its future. At the end of the book is a useful “Timeline of Modern Yiddish Culture” to help readers synthesize the broad swatch of history the book covers. Many readers are likely to treasure reproduction of the mural Yiddishland at the beginning of the book. . At the Yiddish Book Center, the mural “stretches sixty feet along one end wall”; in the book, it folds out as a gorgeous rendering of the Yiddish cultural world. While the reproduction is impressive, its function as a compelling siren call to visit the actual mural in Amherst is even more impressive.
This book satisfies as an object in its own right while tantalizing readers to visit the physical exhibition at Yiddish Book Center and enter the cultural imagination that Yiddish Book Center preserves and continues to stoke.
Julie R. Enszer is the author of four poetry collections, including Avowed, and the editor of OutWrite: The Speeches that Shaped LGBTQ Literary Culture, Fire-Rimmed Eden: Selected Poems by Lynn Lonidier, The Complete Works of Pat Parker, and Sister Love: The Letters of Audre Lorde and Pat Parker 1974 – 1989. Enszer edits and publishes Sinister Wisdom, a multicultural lesbian literary and art journal. You can read more of her work at www.JulieREnszer.com.