A Guide for the Perplexed

W. W. Norton & Company  2013

 

A Guide for the Perplexed is the title of a major theological work written by the Rambam, Rabbi Moshe ben Maimon, in the twelfth century. The Rambam’s struggle with destiny versus free will is a theme of this historical novel, along with Solomon Schechter’s discovery of the Cairo Geniza. Horn delves into a host of interesting topics—sibling relationships, social media, the Arab Spring, divine providence, asthma, arrogance, divine providence, and more. There are also many biblical references. The novel switches between telling about the Rambam and his brother David, to Schechter and his dealings with the twin Victorian adventurers Agnes Smith and Margaret Lewis, and to Judith and Josie, fictional sisters who endure a difficult relationship.

It’s fascinating to read about the Rambam’s role as chief physician to the sultan Saladin. In seeking a cure for his royal patient ‘s asthma, the Rambam sends his merchant brother on a dangerous voyage to procure a special plant. Horn colorfully describes Schechter’s quest from Cambridge to obtain entrée to the Geniza through shady dealings with the Grand Rabbi of Cairo. Josie is a computer genius whose Genizah software is a cutting-edge marvel and the cause of her invitation to Egypt to consult at Alexandria’s modern library. I heartily recommend Dara Horm’s enjoyable, intellectual new creation, which covers so many topics of interest and connects three different periods in Egypt’s history – twelfth century, late nineteenth century, and modern day.

Related: Egyptian Jews Reading List

Interview

by Miriam Bradman Abrahams

Speaking with Dara Horn on the phone felt like coversing with one of my brightest, most enthusiastic friends. Since I was the first person to interview her regarding her new book, I was her "sounding board" as she excitedly discussed A Guide for the Perplexed. She will travel the country during Jewish Book Month for JBC.

Miriam Bradman Abrahams: How did you come up with the idea for your new book?

Dara Horn: I had been asked to write fiction inspired by a specific abstract artwork for an exhibit at Yeshiva University Museum which showed contemporary art inspired by the book of Genesis. I wrote a piece called "How Did It Begin" about two sisters who destroy each other, taking my ideas about family and personal identity from the story of Joseph.

MBA: There are references in the book not only to the stories of Joseph being thrown into the pit by his brothers and sold into slavery in Egypt, but also to Tamar's seduction of Judah in order to maintain the family, and Rachel and Leah's sibling rivalry. You have also woven episodes from the lives of historical figures in this contemporary fiction. The dynamics in the relationships of the Rambam with his brother David, Solomon Schechter with his twin brother, Srulik, the twin Victorian adventurers Agnes Smith and Margaret Lewis, live alongside the invented modern day sisters Josie and Judith. Why are there so many sisters and brothers in the novel?

DH: I have always been interested in sibling relationships, both biblical and personal. I think siblings share a past but not a future. However, the past shared is so different based on individual memory. For example, Schechter and his brother make life decisions based on their different interpretations of their father's insightful advice. Josie and Judith remember opposing experiences growing up with their mother. By the way, my own sibling relationships have been wonderful!

The novel also came out of my interest in the Genizah, the repository of hundreds of thousands of stored documents written in Hebrew from 870-1880. I had the opportunity to view some of them during the year I studied in Cambridge and was especially interested in documents which inadvertently recorded the daily existence of the people of Fustat. I have kept journals since I was a child and am fascinated with the idea of recording and preserving things.

MBA: A key concept in your book is hinted at by the title, A Guide for the Perplexed, a major theological work by the Rambam, Rabbi Moshe ben Maimon, written in the twelfth century. How is this work reflected in your book?

DH: The Rambam struggled with the paradox of destiny versus free will. My fictional protagonist, Josie, thinks she controls every aspect of her life, until she is kidnapped and taken hostage.

MBA: Arrogance is also a major theme in your book; most of your characters have quite a bit of it. Though it seems to be a negative trait as compared with humility, it is what drives many effective people to succeed in their quests.

DH: Today, we are in danger of thinking we know everything because we can Google anything anytime. The bible shows us that Joseph was arrogant in his dealings with his brothers. And the Rambam, believing he could find a cure for asthma, sent his brother off on a dangerous voyage. In my novel, Schechter heads off from Cambridge to Fustat in 1897 with little preparation, to find and recover the Cairo Genizah. These people all have brilliant minds and their unwitting arrogance and drive are necessary to push ahead.

I was also heavily influenced by the explosion of social media, especially the ubiquitous use of smart phones. Suddenly everything is on record and there is a denial of opportunity to shape one's own story. Cameras are everywhere, recording everything. Of course, "fakebook"ing exists alongside "facebook"ing. In my novel, Josie's "Genizah" software brings the past back to life, as when a dead child's digitally recorded history brings comfort to his grieving mother. However, recovering the past has happened before; the Cairo Genizah included ancient letters, receipts, children's writings, legal documents, lists, and holy texts. These were discarded in an attic space in the synagogue. So much was stored that some was subjectively considered to be garbage and abandoned by discoverers. Schechter brought out sacks of the contents in 1897, ignoring the printed materials. Schechter wrote about these discoveries, and many books discuss the findings, including the recent Sacred Trash and another one named Sacred Treasure. These came out too late for my research, but I recommend them, along with Sisters of Sinai, about the twin Victorian scholars.

MBA: You say that yours is one of the first American novels concerning the Arab Spring.

DH: Yes. In fact I had to alter details in the plot to reflect the upheaval caused by the people's revolution. I was in Egypt fifteen years ago, when the ultramodern Alexandria library was being built, looking like an alien spaceship in the desert. The entire internet archive backup is located in Alexandria, which is interesting because Egypt has a culture of preserving the past. I write about the City of the Dead in the book, a slum filled with people living next to the tombs of ancient residents.

MBA: Three main characters have asthma and three of your children do as well.

DH: We think we're on the cutting edge of science today and that people in the past were superstitious idiots, but it's quite the opposite. Hippocrates wrote about this disease and still there is no cure. In my story, the Rambam was searching for ephedra, which is related to the Sudafed we use today.

MBA: You recently discovered that you have always experienced synesthesia and imagined that everyone else did as well.

DH: This phenomenon involves a crossover of the senses, like seeing a smell or hearing a color. I associate my books with colors that are unrelated to the cover art.

MBA: A Guide for the Perplexed took about two and a half years to complete. What are you working on now?

DH: I'm writing short articles for The New York Times, The Wall Street Journal and The New York Times Book Review. I write while my children are in school. I am collecting ideas all the time and am starting to think about my next book. I don't know what I'm doing with my characters until I write about them, I live with my characters like imaginary friends.

MBA: What are you reading for pleasure these days?

DH: The Worlds of Sholem Aleichem: The Remarkable Life and Afterlife of the Man who Created Tevye by Jeremy Dauber, In the Courtyard of the Kabbalist by Ruchama King Feuerman, and We Are All Completely Beside Ourselves by Karen Fowler.

Miriam Bradman Abrahams is Cuban born, Brooklyn bred, lives in Woodmere, NY, Hadassah Nassau Region's One Book chairlady and liaison to the Jewish Book Network, Hewlett Hadassah Herald editor, retired book fair chairlady, certified yoga instructor.

Discussion Questions 

Reprinted from A Guide for the Perplexed: A Novel by Dara Horn. Copyright © 2013 by Dara Horn. With permission of the publisher, W. W. Norton & Company, Inc. All rights reserved. 

  1. Josie’s Genizah software categorizes memories by themes like “entertainment” and “travel” and carefully curates what it records in order to bury the unpleasant and the ugly. Do our minds work this way? Would you subscribe to Genizah? How have other technologies already changed how you experience things and remember them?

  2. What is the significance of dreams in the novel? Does it make sense to catalog them in Genizah along with daytime memories, as Nasreen wants to do? Do you think they are “mental garbage” or “a window to a world beyond what a waking person could perceive”?

  3. Maimonides tried to reconcile faith and reason in his writings. What role do religion, rational thought, and intelligence play in how the characters see themselves and others?

  4. Josie designed her software to record patterns in human behavior, which she thinks can be used to predict future outcomes. Maimonides believed that, as the ancient rabbis expressed it, “Everything is foreseen, but freedom of choice is granted.” Are their beliefs compatible? Do you believe that you are in control of the choices you make?

  5. When Josie is putting together a Genizah of Tali from memory, she realizes that the Tali who emerges is very different from the one captured by the software at home. What does this suggest about Josie’s feelings toward her daughter? How does their relationship differ from Tali’s relationship with Judith?

  6. One of Cairo’s unique features is its vast necropolis full of living squatters, but Nasreen says, “All cities are really cities of the dead.” Do you agree with her? Do you live in a place where you can feel the generations that came before you?

  7. How do Josie and Judith and their relationship change over the course of the novel? Which of the sisters do you most sympathize with?

  8. Schechter says, “Every human being, in the end, becomes the opposite of an archive.” He also describes himself as a palimpsest—a piece of parchment on which one text has been inscribed over another. What does he mean by using these metaphors, and how do they apply to himself and others? Do they also apply to the novel itself?

  9. The book is full of encounters between people of different backgrounds: Judith and Itamar, Schechter and the Scottish twins, Mosheh and the vizier, and Josie and Nasreen, to name a few. How do these people view each other? What cultural differences and worldviews come to light in their conversations?

  10. There are four pairs of siblings in the novel: Judith and Josie, Schechter and Srulik, Margaret and Agnes, and Mosheh and David. How does the novel explore themes of jealousy, ambition, success, and love through the siblings? Did their relationships remind you of your relationships with your siblings?

  11. In what ways does the novel’s narrative parallel the biblical story of Joseph? Do you think this correspondence enhances the power of the novel? In general, are biblical stories relevant to the present or to understanding the challenges of modern life?

  12. Did Judith deserve Josie’s forgiveness in the end? Did Josie deserve Judith’s? Did the final chapter about Tali change the way you felt about the outcome of the story?

  13. Like historians piecing together the past, several characters wish to bring the dead back “to life” through bits of memory, writings, photographs, and recordings. Is this possible? How have you dealt with the death of someone you loved and the artifacts—such as letters and photographs—that were left behind?

  14. How do the three stories—of Josie and Judith Ashkenazi, Solomon Schechter, and Mosheh ben Maimon—intersect and relate to one another? How does Maimonides’s Guide for the Perplexed echo through all the layers of the novel?

  15. A Conversation With Dara Horn

    Jewish Book Council was honored to take part in the Global Day of Jewish Learning's first-ever 24x24, an online global conference of Jewish learning, including music and art performances. This conversation, entitled  "The Theological Art of Storytelling,"— originally presented via live-stream (and recorded for later viewing) as the first of 24 hours of Jewish learning— is a discussion between award-winning author, Dara Horn and JBC Book Clubs director, Miri Pomerantz Dauber about the creative process and her newest book, A Guide for the Perplexed.



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