Fic­tion

Cheese­cake

  • Review
By – August 18, 2025

One of the daz­zling — or per­haps dizzy­ing — aspects of city life is the sheer num­ber of sto­ries wait­ing to be told. There’s the over­ar­ch­ing nar­ra­tive of the city, the unique char­ac­ter of each neigh­bor­hood, and the par­tic­u­lars of every street. Zoom in even clos­er: each build­ing on every block is filled to the brim with sto­ries. The finest threads in the urban tapes­try are the indi­vid­ual lives that serve as the cast and crew of what urban the­o­rist Jane Jacobs called the bal­let of the good city side­walk.” In his lat­est nov­el, Mark Kurlan­sky shines a spot­light on one such snip­pet of city life.

Cheese­cake is a light and airy (though not entire­ly sweet) sto­ry of neigh­bor­hood change. Set over many years in the late twen­ti­eth cen­tu­ry, Kurlan­sky focus­es on a stretch of West 86th Street, a thor­ough­fare at the heart of New York City’s Upper West Side, as old-time res­i­dents and neigh­bor­hood new­com­ers nav­i­gate each other’s root­ed­ness and ambi­tion, rela­tion­ships and secrets, quirks and eccen­tric­i­ties. At the cen­ter of it all are the Kat­sikas­es – Art, Niki, and Adara – who immi­grate from a small rock-bound Greek island” to New York to open a Greek din­er. Upon arrival, Art eval­u­ates the Upper West Side as a neigh­bor­hood with unre­al­ized poten­tial; over time, he works to ful­fill his vision for a neigh­bor­hood remade. He buys up prop­er­ty when he can and even­tu­al­ly trans­forms the din­er into an upscale restau­rant to fit with the chang­ing clien­tele. The novel’s sim­ple plot and con­cen­trat­ed set­ting leave ample room for rich char­ac­ter explo­ration, the dri­ving force behind Cheese­cakes charm. Com­bine that with a heap­ing spoon­ful of nos­tal­gia — not only for a bygone era of New York City, but also cap­tur­ing a more uni­ver­sal­ly relat­able feel­ing of reflec­tion on what once was — and the result is a digestible, sat­is­fy­ing read.

Like its name­sake dessert, Cheese­cake fea­tures sev­er­al top­pings” worth not­ing — cer­tain­ly not essen­tial, but ones that add dis­tinc­tive fla­vor to the read­ing expe­ri­ence. The author opens the book with an invit­ing intro­duc­tion cen­tered on the his­to­ry of Cato the Elder and his cheese­cake recipe. Before the char­ac­ters begin craft­ing their own ren­di­tions, the author grounds read­ers with the sto­ry of the his­toric recipe and its cre­ator. Upon com­plet­ing the jour­ney to West 86th Street, Kurlan­sky appends a his­to­ry and recipe log of var­i­ous cheese­cakes – an engag­ing accom­pa­ni­ment to the story’s cen­tral motif. Togeth­er, the intro­duc­tion and appen­dix frame the main nar­ra­tive in a way that enhances the book overall.

Isaac Ostrow is a young Jew­ish pro­fes­sion­al based in New York City. He loves a good sto­ry, and he cares deeply about Jew­ish learn­ing and lit­er­a­cy. Orig­i­nal­ly from Mem­phis, Ten­nessee, he is a grad­u­ate of the Joint Pro­gram between Colum­bia School of Gen­er­al Stud­ies and the Jew­ish The­o­log­i­cal Seminary. 

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