Gali, a young girl excited to participate in her older cousin’s upcoming wedding, has asked her Savta (grandmother) to design and sew a flower girl dress that will stand out for its beauty. When she learns that, even in Israel, Yemenite women take great care to preserve the special henna ceremony held in the week before the wedding, she is momentarily frustrated. Her dress should be ready first! Her grandmother’s patient dedication helps Gali to understand why both venerable and modern customs form the fabric of their community’s life.
Young readers will identify with Gali’s need to feel important to her Savta, and the older woman accepts her granddaughter’s emotions without criticism. They go together to the local market to buy silver beads from a skillful artisan; Gali later notices the stunning headdress that Savta has created for the bride. Gradually, the singularity of the event, where the bride is dressed with elaborate beauty, dawns on Gali, who views it through the lens of a fairy tale. “Wow, you look like someone from a fantasy kingdom,” she tells her cousin without a trace of resentment.
Yinon Ptahia’s illustrations convey warmth and excitement. Music, dancing, and unique decorations precede the preparation of a henna paste, used to draw intricate designs on the bride’s hand as a visual symbol of good luck. Gali appears intent as she pours tea essence into a bowl of henna paste. She is in the center of the image, with her grandmother’s hand helping to form the mixture. Scenes in Savta’s workshop reflect the hard work and creativity that culminate in this essential observance. When Gali sees the “glimmering gold dress with Yemenite embroidery” that Savta has sewn for her, she recognizes the depth of her grandmother’s love, as well as the importance of her Yemenite inheritance. Strong women are links in the chain of cultural continuity.
The Henna Helper is highly recommended and an included author’s note provides more information about the Yemenite henna ceremony.
Emily Schneider writes about literature, feminism, and culture for Tablet, The Forward, The Horn Book, and other publications, and writes about children’s books on her blog. She has a Ph.D. in Romance Languages and Literatures.