In many ways a book about books, The Weight of Ink surprises with delights that are gradually revealed. At first it might seem almost necessary to take notes to follow the complex plot, but soon the reader will become absorbed in this rich opus of impressive breadth.
The beauty of this story is in the variety of its milieus and sensibilities. As we follow our female protagonists of both the seventeenth and twenty-first centuries — Ester Velasquez and Helen Watt, respectively — we also witness the goings-on of a venerable and drafty house of a rabbi in 1660s London, and glimpse the modern life of a cheeky young American man with heartrending troubles of his own. Perhaps most pivotally, we see an English girl’s time volunteering abroad on a kibbutz in Israel in the years after the war of independence. In spite of a gulf of over 300 years, these characters depend on each other each for their own reasons, any of which we in the present day can find parallel in.
The images of these different times and places, brought to life at once through painstaking detail and accessible prose, are startlingly clear, even cinematic. Supporting roles, too, are far from dull. Much more than mere foils, even minor characters are fascinating in their own right. Mary, at first unlikable in her childlike coquettish snobbery, eventually finds her way into one’s heart. Rivka, a servant and survivor of Polish pogroms, is not simply loyal, but also intrigues with a timeless intellect and will. The men in Ester Velasquez’s and Helen Watts’ lives wholly determine the courses of their universes. Indeed, perhaps too much for comfort, but believable nevertheless.
Weighty explorations of what it is to be Jewish and to enter interfaith relationships in multiple time periods are integral to each of these stories. Is there merit to keeping within the tribe? Are there, regardless of time, place, or commitment, bridges that those who would willingly enter the Jewish community from the outside can never truly cross? Crucially, what does it mean to choose survival over martyrdom? These questions play out in the characters’ personal lives concurrently with Ester’s philosophical forays into the nature of God. No stone is left unturned in either study.