Fic­tion

Ten Clear Days

  • Review
By – April 13, 2026

In Eric Beck Rubin’s Ten Clear Days,we meet an eighty-three-year-old woman, Mary Beck, who has just under­gone emer­gency surgery after suf­fer­ing a heart attack and stroke. Upon regain­ing con­scious­ness, she learns her surgery was suc­cess­ful, and if she fol­lows her treat­ment pro­to­col, her prog­no­sis looks good. The fam­i­ly is, under­stand­ably, relieved — every­one, that is, except Mary her­self. She had pre­vi­ous­ly signed do not resus­ci­tate orders, which one of her daugh­ters know­ing­ly dis­re­gard­ed to save her life. Mary is angry. She wants to die. And because of MAiD, Canada’s recent Med­ical Assis­tance in Dying law, she is now free to make that choice. 

Ten Clear Days is a nov­el based on a true sto­ry from the author’s own fam­i­ly his­to­ry. Beck Rubin exam­ines huge and com­plex mean­ing-of-life ques­tions with both great sen­si­tiv­i­ty and urgency through the com­pelling nar­ra­tive of Mary’s path to a med­ical­ly assist­ed death. 

Before her wish­es can be hon­ored, Mary must, for ten con­sec­u­tive days, answer ques­tions that demon­strate her men­tal com­pe­tence and con­tin­ued desire to die. An observ­er, intro­duced to read­ers as Au, is assigned to doc­u­ment those ten days, record­ing the hospital’s com­pli­ance with the new law. It is through Au’s notes that we learn a great deal about Mary and about her rela­tion­ship with her chil­dren and grand­chil­dren. The notes also grant us the oppor­tu­ni­ty to wit­ness Mary’s final days and observe the unfold­ing of her life.

Each chap­ter, titled after con­sec­u­tive days of the week, adds more to our under­stand­ing of Mary’s full life, which was great­ly impact­ed by severe trau­ma: Mary is a Holo­caust sur­vivor. Inter­views excerpt­ed from her grandson’s PhD dis­ser­ta­tion recount sto­ries of Mary’s child­hood in pre­war Hun­gary, her life dur­ing the war, and her new begin­nings across the ocean, as do record­ed accounts from friends and fam­i­ly. Mary’s ear­ly expe­ri­ences of trau­ma have cast a dark shad­ow over her life. She has had enough. 

The dia­logue in Ten Clear Days is par­tic­u­lar­ly effec­tive. Through small bits of con­ver­sa­tion between Mary and her chil­dren and grand­chil­dren, Beck Rubin pro­vides read­ers with mov­ing demon­stra­tions of the deep love fam­i­ly mem­bers feel for each oth­er and for Mary. We also sense the pain, espe­cial­ly evi­dent in the con­ver­sa­tions between Mary’s two daugh­ters, and between Mary and Jack­ie, the daugh­ter who is not yet ready to let her moth­er go. Still, the clock ticks. The ten days become nine, then eight, then seven … 

What are a family’s respon­si­bil­i­ties where the stakes are lit­er­al­ly life and death? When there is lit­tle agree­ment on a cor­rect course of action, whose wish­es should pre­vail? While the cir­cum­stances of Mary’s death may be unusu­al, los­ing loved ones is an inevitable part of being human. How should we hon­or those loved ones in their last days, and how can we say good­bye? These are ques­tions for us all. Ten Clear Days is a beau­ti­ful explo­ration of one family’s dif­fi­cult process of find­ing the answers that work best for them. 

Diane Got­tlieb is the edi­tor of Man­na Songs: Sto­ries of Jew­ish Cul­ture & Her­itage, Awak­en­ings: Sto­ries of Body & Con­scious­ness, and Griev­ing Hope. She is the Spe­cial Projects Edi­tor for ELJ Edi­tions and the Prose/​Creative Non­fic­tion Edi­tor of Emerge Lit­er­ary Jour­nal. Her writ­ing appears in Brevi­ty, Riv­er Teeth, Wit­ness, Flori­da Review, The Rum­pus, and Huff­in­g­ton Post, among many oth­er love­ly places.

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