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Author photo by Clayton J. Mitchell
We pay for a stack of cassettes and walk slow up the street, smoking and people watching. We pause so Veronica can grind out her cigarette and look in the window while she applies her lipstick. Our eyes meet in the reflection. “You okay?” she asks.
“I just, I want to forget about stuff for a while.”
“Sheila?”
I shrug.
“Gimme.” She gestures at my half-smoked cigarette.
I pass it to her. Where my lips were, hers are now.
“I feel stuck. I’m ready for whatever the next thing is.”
“Well, we can make it happen, right?”
I nod, even though I don’t know what that looks like. What the next thing is.
“What about Patrick?” she asks. “He’s cute.” She has a slight smudge of lipstick on her front tooth.
Patrick is doe-eyed, with a good leather jacket. He didn’t say much when I gave him my passport photo and thirty dollars, just bobbed his head and then told me he’d be in touch when it was done. He’s cute, I guess.
“You need a summer fling.” She exhales, her chin tilted up so the smoke plumes toward the sky.
Do I need a summer fling? I let the idea unfurl in my mind. It feels abstract, but lovely, maybe.
“He is cute,” I agree.
“I’ll call Jack to meet us, make it a double date.” She winks at me.
Inside Jupiter, amid the clanging beeping ding-ding-ding and the roar of the Godzilla game and smell of buttered popcorn, Veronica slides her quarter into the pay phone and grins at me. I am conscious of my body, the fact of me as an object in relationship to others.
Our games often continued after dinner, the long-burning Shabbat candles transporting us, protecting us. In our stories, I was alive beyond space and time, alive in a thousand dimensions at once.
Patrick is a possibility; the new ID is a possibility; the vodka Veronica buys at the corner store while I wait outside is a possibility; the falling dusk is a possibility; my face, already flushed in the bathroom mirror at Zappo’s Burgers while we wait for the boys, is a possibility. I can become this new version of myself.
_______
Patrick hands over the ID. “Nice to meet you, Jennifer Eddings, born April 19th, 1961, age 22.”
Jennifer Eddings. The new me.
“That, uh, makes you an Aries, if anyone ever asks.” Patrick’s mousy hair flops over his face, so he has to toss it back to see. His eyes are brown and sleepy and a patchy expanse of fuzz on his upper lip makes it look like he’s trying to grow a mustache.
“I never really know what those things mean.”
Patrick shrugs, gives a small half grin. “Me neither. I think it’s supposed to tell you about your personality, or your future.”
Like player stats in D&D, I think. But I don’t say that, because this new me — Jennifer, Jen, no: Jenny — isn’t into computer games. Jenny doesn’t daydream about defeating trolls or traveling across magical kingdoms. Jenny flirts; she has summer flings.
“You want to race?” he asks.
Veronica and Jack are on Game Hunter; he wraps his arms around her to aim the plastic gun and she wriggles away, then kisses him.
“Yeah,” I say. “Let’s race.”
We have to stand close and our shoulders bump as we steer through the course. I feel the vodka’s warmth expand into the space where our bodies touch.
Usually I hate racing games. There’s no meaning to it, no story. They’re all thrill, no thinking. Racing games, like shooting games, you and I used to call them “popcorn.” No meat, no real substance to them.
Good games let you do something meaningful inside the game world, change something, and in the changing, the player is also transformed somehow. Comes out different than they were when they pressed start.
But Jenny likes racing games. I let my shoulder linger against Patrick’s before I steer my car around the track. I like the way the alcohol has loosened me.
“You’re good,” he says, when we’ve played through the first round of quarters.
“Why thank you. Not too shabby yourself.”
Veronica and Jack have moved on to the old pinball machine; she’s playing one side and he’s playing the other, their hips synced as they rack up points. She laughs, turns, and shoots me a grin.
“You want to go for a smoke?” I ask Patrick.
Outside, Short Vine is neon and darkness. Across town, Sheila will be picking up Bubbe for Shabbat dinner at our house. When I was little, it was Bubbe who hosted, and until you moved for grad school, you were there too, ready to play chess with me every Friday night.
The year I was nine, we played with a special rule: every move had to be accompanied by part of a story, a slow plot that swept the pieces up in a mad, ridiculous drama. A queen whose spies and soldiers are all animals, fighting against a village of farmers and woodcutters. A coven of witches, divided in a civil war over the next leader. A girl, traveling to Ashmedai’s kingdom to retrieve her best friend from the shedim, who claimed the friend was secretly their prince.
Our games often continued after dinner, the long-burning Shabbat candles transporting us, protecting us. In our stories, I was alive beyond space and time, alive in a thousand dimensions at once.
I think of that now — the games, the storytelling, you — as I bend my cigarette to Patrick’s Zippo, inhale. And then I let them go. Imagine them behind me, light and empty as a snakeskin.
Patrick’s gaze is heavy and soft, his pupils wide. He can’t see any of the secrets. I’m just Veronica’s friend, who plays racing games and pays attention to him.
And it’s easy: to lean forward and kiss him in the fading June heat, to let him tangle his hand in my hair, to whisper, “Let’s go somewhere” and then to go with him.
Excerpted from Homebound by Portia Elan. Copyright © 2026 by Portia Elan. Reprinted by permission of Scribner, an Imprint of Simon & Schuster, LLC.
Portia Elan studied history at Stanford University and earned an MFA from the University of Victoria, British Columbia, before returning to California, where she has worked as a teacher and public librarian. A former Lambda Literary Fellow, she lives in the San Francisco Bay Area with her wife and an abundance of cats. Homebound is her first novel.