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Posted by Nat Bernstein.
1. Many Seconds Into the Future by John J. Clayton
Ten stories of ten men grappling with life, love, and loss from acclaimed short story author John J. Clayton contemplate Jewish identity, prayer, and mourning.
And then one day, on this very day of my first sentence, late fall, God comes to him, speaks in the form of a shiver that ripples through him and —he’s almost sure—means something. I could say he feels a surge of energy reaching from the box on his arm through the box above his forehead and down through him to his toes, but he himself can’t say exactly what happens in his body. He finds himself in tears.
This is probably a purely neurological event, even the start of a nervous breakdown, not an encounter with the holy. At least that’s what I’d think if it happened to me. No burning bush, no heavenly chariot. But for Harry it’s a nudge from God — the Shekinah, the Divine Presence, brushing her soft Self against his skin. Holy goose bumps. Does he hear himselfcalled—Harry, Harry…? He isn’t sure. He answers anyway, Hineni, Here I am.
2. But Where Is the Lamb? Imagining the Story of Abraham and Isaac by James Goodman
On the second day of the Jewish new year, communities traditionally read the story of the Binding of Isaac — nineteen lines from Genesis, composing one of the most perplexing stories across the three monotheisms. James Goodman struggles with this passage through commentaries and exegeses of Second Temple sages, rabbis and priests of late antiquity, the Hadith, Syriac hymns, allegories from the First Crusade, medieval English mystery plays; through the art of Europe’s Golden Age, the great Western philosophers of the nineteenth and twentieth centuries, and the works of Boby Dylan, Elie Wiesel, and A.B. Yehoshua.
I didn’t think he’d do it. I really didn’t think he would. I thought he’d say, whoa, hold on, wait a minute. We made a deal, remember, the land, the blessing, the nation, the descendants as numerous as the sands on the shore and the stars in the sky. You said: through Isaac you’d make my name great. I have kept my word. Don’t go back on yours.
Right up to the last moment, I thought, I hoped, I may have prayed, that Abraham would protest: I can’t do it, I can’t. I obey you as I obeyed my own father, Terah, but Isaac: he is my son.
But he didn’t.
3. The Liars’ Gospel by Naomi Alderman
The Liars’ Gospel is essentially a Jewish Master and Margarita, without the time warp. Rewriting Jesus’ rise to fame and fervor during his living days from the isolated perspectives of Miryam (Mary), Iehuda from Qeriot (Judas Iscariot), Caiaphas, and Bar-Avo (Barabbas), Naomi Alderman’s intense third novel is grounded in sources from Josephus, the New Testament, and the Talmud. The festering political tensions mounting in Jerusalem are mirrored in the High Priests preparations for Yom Kippur, when he will enter the Holy of Holies to atone on behalf of the Jewish people alone — and he may not survive.
They tie a rope around his ankle so that, if he dies, they will be able to haul him out[…] Today is ordinary, and tomorrow will be ordinary and the next day in all likelihood. But once a year he will stand in the full presence of the Almighty and see if he is worthy to survive.
4. The Anatomy Lesson by Nina Siegal
Like The Liar’s Gospel, Nina Siegal’s stirring novel is voiced through multiple imagined perspectives of real and fictional characters. Inspired by Rembrandt’s painting of the same name, The Anatomy Lesson weaves the story of a criminal who remains unrepentant until glimpsing the face of the woman who loves him at the moment of his execution and the figures of Amsterdam who attempt, in their own ways, to redeem him.
I wish I could tell you that a kind of fire burned through my hand just then, feeling my mother’s benediction on my skin, but I can’t. All I can say is that I know it was the right thing. That, right there, would be the center of the painting. The artist’s invisible hand presents the surgeon’s living hand, to reanimate the hand of the dead convicted thief. And in that way, to resurrect all humanity.
I heard the singing grow louder outside my windows as the parade took shape along my street. I knew that I had finally found my way into this painting, and that it would be no mere portrait but one of my greatest works. I would illuminate Adriaen’s body. I would cast the damned man into the light.
5. Cut Me Loose: Sin and Salvation After My Ultra-Orthodox Girlhood by Leah Vincent
The concept and practice of vidui, or confession, in Judaism, is extraordinarily complex. As part of the traditional Yom Kippur service, individuals ask forgiveness for the sins of the world — but both then and year-round, there is a personal component as well. Perhaps the rawest Jewish American confession penned for the current generation — and certainly this year — is Leah Vincent’s gut-wrenching memoir of survival after being abandoned and ostracized by her yeshivish family and community.
I slammed the phone down and struggled to take in a breath as frustration and despair and fury rose higher and higher in my body, like a typhoon in a glass bottle.
It was the tradition to ask for forgiveness in the High Holiday season, in hope that others relinquishing their grudges would swar a stern God to pardon our sins. Would there, I fumed, be such easy forgiveness for me? If I did anything that also hurt your feelings in some way? Is she fucking kidding or is she just completely oblivious? Exasperated, I shook my head.
6. My Salinger Year by Joanna Rakoff
Though no intermediary between the penitent and God was originally prescribed, Hasidic masters encouraged their scholars to bring their vidui to a sage, a mentor. Up until his death four years ago, countless readers all over the world chose J.D. Salinger as their sage, though he had no wish to hear them. In My Salinger Year, Joanna Rakoff recounts her experience answering letters addressed to him while working for his agent as her first foray into the literary world:
It goes without saying, I suppose, that I now understood why the fans wrote to him, not just wrote to him but confided in him with such urgency, with such empathy and compassion, with such confession. Because the experience of reading a Salinger story is less like reading a short story and more like having Salinger himself whisper his accounts into your ear. The world he creates is at once palpably real and terrifically heightened, as if he walked the earth with his nerve endings exposed[…] And so, of course, his readers felt an urge to write back. To say this is where it hurts or here’s how you made it better.
7. A Bintel Brief: Love and Longing in Old New York by Liana Finck
A generation earlier, Jewish immigrants to New York had Abraham Cahan.
When I get angry I go into a trance and attack the weakest parts of the people I love. I am eating out my husband’s poor heart. So far, I have only used words, but it is just a matter of time before I become physically violent.
When I wake up in the morning I am remorseful. I vow to be good to him. But some little thing always sets me off and I become my old self in a minute. What should I do? A known murderer is at least punished, but I am an unknown murderer.
8. The Days Between: Blessings, Poems, and Directions of the Heart for the Jewish New Year by Marcia Falk
Modern liturgist Marcia Falk has composed an entire book of original prayers and blessings for the Ten Days between Erev Rosh Hashanah and Yom Kippur, infusing traditional elements into contemporary values and sense of self. Her version of vidui replaces the “catalog” of sins throughout mankind with “a call to self accounting”:
In the mirror of our eyes,the other is reflected;
in the eyes of the other — ourselves.
We look outward,inward,
see how we have hurtand harmed,
how hurt embeds evenin the smallest wounds.
We give ourselves over,begin to make amends,
Beginto make ourselves whole.
9. Pilgrim: Risking the Life I Have to Find the Faith I Seek by Lee Kravitz
Rather than test driving a few sports cars or researching hair regrowth gimmicks, when midlife crisis struck Lee Kravitz he began a “spiritual shopping expedition” through Buddhist meditation groups, Quaker meetings, Hindu chanting sessions, and Christmas mass. Eventually he returned to Judaism, finding a community that suits his specific religious needs. His memoir culminates at the Kol Nidre service on the eve of Yom Kippur:
Actually, I no longer think of Rosh Hashanah and Yom Kippur as High Holidays or even as High Holy Days. I think of them as being part of the “Days of Awe” (Yamim Noraim” in Hebrew). That phrase reflects the high-stakes nature of the soul-searching Jews are supposed to do for ten days, starting with Rosh Hashanah and ending with Yom Kippur. It also conveys the anxiety we’re supposed to feel in that time. According to Jewish tradition, Rosh Hashanah is when God determines “who shall live and who shall die” during the coming year. The righteous get inscribed in the Book of Life, the wicked in the Book of Death. But since most of us are neither fully righteous nor fully wicked, we have until Yom Kippur to repent. Then our fate is sealed.
The stakes can’t get much higher than that.
10. The Book of Jonah by Joshua Max Feldman
Joshua Max Feldman’s debut novel is by no means a retelling of the Biblical Book of Jonah; it is, rather, an impressive experimentation with allegory and the antihero, leaning ever so lightly on the traditional Yom Kippur reading and exposing facets of the story heretofore unconsidered. Reimagining a modern-day Jonah as the Harry Potter of city street preachers — the unlikely savior of mixed parentage, straddled between the real world and suddenly-encountered mysticism — in a society of devotees of the iPhone and capital assets, Feldman transforms the archaic dichotomy of good-versus-evil into a profoundly contemporary rumination on the binary of evil and truth.
For me, the image of the whale — or, you know, being swallowed by the giant fish — presents an image of being completely ensnared in circumstance, completely trapped in what’s happening around you, and for me that comes when Jonah’s in Amsterdam, toward the very end of that section. What is interesting to me about moments like that — and one of the reasons the image of being swallowed by the fish is so resonant with people — is that it’s something people can identify with: we’ve all had that moment of feeling completely overcome and completely overwhelmed by circumstance.Those are the moments when we’re really capable of changing our path, when we’re really capable of changing as people, and that’s what I tried to show happening with Jonah.
Nat Bernstein is the former Manager of Digital Content & Media, JBC Network Coordinator, and Contributing Editor at the Jewish Book Council and a graduate of Hampshire College.