This piece is part of our Witnessing series, which shares pieces from Israeli authors and authors in Israel, as well as the experiences of Jewish writers around the globe in the aftermath of October 7th.
It is critical to understand history not just through the books that will be written later, but also through the first-hand testimonies and real-time accounting of events as they occur. At Jewish Book Council, we understand the value of these written testimonials and of sharing these individual experiences. It’s more important now than ever to give space to these voices and narratives.
Every morning, as I walk my daughter to kindergarten, we pause to check on the giant snails living on the half-rotten but leafy tree at the corner where Jabotinsky and Sokolov Street meet in Tel Aviv.
These snails are enormous, and, probably, gourmet — but it’s weird to think of them as food. They forage, rest, and make love in the old foliage. Such snails are a common sight here, especially in the winter months.
Also common are people with white stickers on their clothing, each inscribed with a number written with a thick black marker. It’s Hanukkah now, and the number has grown to 801. That’s how many days our hostages have been held in Gaza since the October 7th massacre.
There’s only one body left there for now: that of Ran Gvili, a twenty-four-year-old off-duty police officer who was killed after helping rescue people from the Nova music festival.
I turn left onto a passageway before a building that, until recently, displayed a huge banner that proclaimed, “Great to have you back!” That’s where Eden Alexander, a twenty-one-year-old New Jerseyan, lived before he was taken hostage. Upon his release, TV crews camped near the entrance, and I passed them on my way home.
Kindergarten ends at half past four when I fetch my daughter and we move to a playground. In the alley, I pull my dog closer to prevent him from peeing on another banner — one that shows faces of hostages, most of them released after the ceasefire took effect. Many I know now by name.
My dearest are Eden Yerushalmi and Hersh Goldberg-Polin. Hersh, a Jerusalemite, had a “Jerusalem belongs to everyone” sign in his room.
Tragically, both were killed in captivity. A few days ago, a bittersweet moment: a video, shot by their captors in 2023, showing the two still alive and lighting Hanukkah candles.
They are all family now. But before day 101, I barely felt a connection. This was changed by a trip South, and what follows is my account of that journey. I needed to be an observer to process what I saw, and processing made me a witness.
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Day 101.
All is green on the sides of the road. Eucalyptuses mark the border between grey asphalt and emerald hills, reminiscent of the wallpaper on a Windows computer. The road is free of traffic as we drive past villages and a city resembling a set from Stephen King’s horror miniseries The Langoliers: empty, silent, eerie. A construction crane with a dangling chain hangs idly over an unfinished apartment block.
We are in the so-called Envelope, a Gaza-adjacent region in Israel, where rockets take seconds to reach. Its communities have been evacuated after the October massacre and the start of the war.
I’m behind the driver’s wheel and next to me is Asya, a TV journalist who moved to Israel just a few years ago.
We are acquaintances, sharing a desire to go on this trip, (which was dismissed by our respective romantic partners). For me, who came to Israel too old for army service, the calamity seemed somehow remote — I had no drafted friends and no connections in the country’s south. Society outside of my immigration bubble has been traumatized, and the observer stance I developed felt wrong and isolating.
Asya, on the other hand, witnessed too much suffering and pain as a breaking news reporter, which left her feeling numb inside. Today, however, she’s not on an assignment: October 7th hit so close to home she felt it as a personal tragedy and we both felt a moral duty to witness the aftermath firsthand.
By grounding each other in our different backgrounds, we made a good team.
“Are these olive trees?” asks Asya, pointing to a mango or avocado grove. “No, Asya, if something looks like it could grow on your Moscow dacha, these are not olives.” To an eye accustomed to plants flourishing where water is abundant, olive trees look alien with their waxy, metallic-shade leaves and weird, deformed trunks.
Asya gives me a half-hearted smile. She’s a friend of my spouse’s, and this is the first time we’ve been alone, just the two of us, for more than a few minutes.
The car’s wheels start making an unnerving, vibrating sound. It feels like the road sings, and we don’t know the song. We stop for gas behind an old, small Mitsubishi, the same car we drive.
Its occupants are two dark-skinned, olive-drab-dressed men and a woman. Probably army reservists, dispatched here to bolster security in the area swarmed by terrorists just 101 days ago.
The trio, all carrying assault rifles, head towards the station, likely to grab a snack or coffee.
Inside, a bearded, uniform-clad employee loudly speaks in Arabic. He points me to a toilet, and, once out of sight, I allow myself to think over who he is: “Might be a bedouin,” reassuringly, I say to myself, feeling shame for my paranoia and the need to convince myself that a random speaker of Arabic is not a bloodthirsty murderer.
Dozens of bedouins were killed when Hamas terrorists breached the separation fence and flooded adjacent communities, massacring everyone they could get hold of, irrespective of citizenship, mother tongue, religion, skin color, or sex.
I return to the cashier’s desk and, still uneasy, decide to check something with one of the soldiers from the car. “Excuse me,” I ask a massive man in his forties, “Do you know how we can get to the car graveyard?”
He gives me a bewildered look, and I explain, “The place where they collected shot, burned, and destroyed vehicles of people hit on October 7.”
The soldier can’t help, and I hope we’ll be able to spot it on our own.
Most of the buried cars belonged to people coming to dance at a psychedelic trance music festival, some five kilometers from the border with Gaza.
What was meant to be a peaceful gathering turned into a blood bath as Hamas terrorists descended, some of them literally, using paragliders to cross into Israel.
We get back into the car and drive south. Our destination is at Re’im — the grounds of the Nova festival, or, according to Wikipedia, the Nova festival massacre.
All is green on the sides of the road. “This could be South of France,” says Asya, “so pastoral.” We pass a long shed sheltering tractors and other agricultural machines. Part of its very long roof collapsed, with uneven, rusty slopes burned and pierced by shrapnel. Probably a direct hit by a Hamas rocket, one of the tens of thousands indiscriminately fired since the war started.
I quickly look at the navigation app and my heart stumbles. Kibbutz Be’eri is the next right turn. Before, I knew it by the local cheeses — they were served in one of my favorite lodgings in the Negev desert.
Tragically, Be’eri became known for something else — as a site of a massacre with some of the worst atrocities committed against the Jews since the time of the Holocaust. We don’t make a right turn now. We know the settlement is closed off, and we aren’t sure we have the guts to go there anyway.
On to the festival grounds. “Re’im Picnic Area,” reads the brown sign. In Israel, brown signage is reserved for tourist areas. Now it looks like a bad joke. The entrance is blocked by a military police vehicle and an old civilian-looking sedan shedding paint from its hood. I come out of the car to ask the soldiers for directions. “First turn to the right,” they say, “this is the closed military area.”
We cross a mud-filled turn off by the side of the road a few dozen meters further and drive into a Eucalyptus forest. The car moves like a boat on a wavy sea — the hood bobbing up and down, and I get nauseated. Soon, we emerge into the open, and I see the first of the many cenotaphs dotting the place. We exit the car to continue on foot.
Three hundred sixty-four people died here — an unfathomable number. We come closer to the first memorial, it’s for a young woman in her twenties, just like many of the partygoers. The air is humid and fresh; it rained this morning, and water collected in many glass candle jars at the base of the photo-bearing wooden poles. I reach into my yellow handbag and bring out Nepalese incense, a tight braid rolled with aromatic herbs and spices. It reminds me of both challah and a havdalah candle.
October 7 was Simchat Torah, a holiday when we celebrate the end of the annual Torah readings and the beginning of a new cycle. Those killed here didn’t get to experience the new routine — their new cycle, if it exists, is far more mysterious.
Cold wind blows incessantly, and we make a ball of our palms to protect the cigarette lighter’s flame. The incense catches fire, and aromatic smoke rises around the photograph on the memorial before being carried away by a wind gust.
The closure is not for the dead. It is for us, the living.
We wander among the forest of poles, each carrying a photo — some from professional photo shoots, some low-resolution Facebook page printouts.
“You only live once, so just fucking do it,” reads a sticker attached to a young man’s memorial. His favorite quote, or a motto, turned way too serious.
Stickers with Shani Gabay’s name cover a bench, perhaps constructed by those who hold her dear. We light incense again and again, and soon, the whole scene smells like a temple in the Himalayas, frequented by young Israelis soul-searching after their mandatory army service.
A loud bang fills the air and my ears hurt. I contract and instinctively lift my shoulders. A tank is firing close by. Then another bang. I can’t stop wondering how it feels in Gaza, where these shells are landing.
On one of the poles, there’s a picture of a long-haired guy with a chest tattoo. “100,” it reads. It’s 101 days today.
I invite Asya for a walk along the ravine, which is covered with lush vegetation. As we come close, we see flowers everywhere, popping their yellow and white heads out of the greenery. Blood-red anemones stand out against the dark, vivid background.
On our way back to the car, we pass an area covered with white football-sized boulders, each marked with a name. It’s a Jewish custom to bring stones to the gravesites.
Hesitantly, we decide to go to Kibbutz Be’eri. Unlike the settlement itself, their cheese shop outside the gate is now open. We return to the car and drive a few minutes before turning right at the sliding yellow gate, marking the entrance to the kibbutz.
A group from the Hostages and Missing Persons Families Forum stands nearby, holding pictures of those still held in Gaza. “Bring them Home,” reads the banner.
The farm shop is in the old barn with two oddly-shaped concrete rocket shelters placed nearby. “ISIS” reads the large letters, “desert brewery” reads the small. I can’t tell if that reference to the world’s most brutal terrorist organization is a terrible joke of some kind.
The shop is staffed by a tall, eyeglass-wearing man with an earring and a long ponytail. We chose cheese (mature, young, somewhere in the middle) and asked about the brewery. The shopkeeper handed me a bottle with the name “ISIS” and a picture of her, the Egyptian goddess who helps the deceased reach the afterlife.
I ask the man how he survived psychologically. “I don’t know,” he answers. “I just started to do things and move around.”
We place cheese and beer in the trunk and head to Tel Aviv. All is green on the sides of the road.
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Yesterday, I asked Asya, who had just returned from a journalistic assignment in India, for the photos she had taken on that day. She handed me the best ones, along with a gift bag of masala chai.
Of all pictures, the most heart-wrenching were the anemones.
The views and opinions expressed above are those of the author, based on their observations and experiences.
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Yasha Karda is a writer and therapist living in Tel Aviv with his wife and six children. Born in Leningrad, he publishes the Substack A Guide for the Perplexed and is working on his debut memoir.