Cook­book

Mem­o­ries of a Good Meal: Recipes of Resilience, Inspired by Sto­ries of World War II Survival

  • Review
By – October 5, 2026

In Mem­o­ries of a Good Meal, a new cook­book by Amer­i­can Israeli chef Alon Shaya with food his­to­ri­an June Hersh, cook­ing becomes a way to remem­ber, to mourn, to cel­e­brate, and to recon­nect with fam­i­ly his­to­ries that were bru­tal­ly inter­rupt­ed by World War II. The cook­book, a com­pi­la­tion of inter­views with sur­vivors of World War II inter­wo­ven with fam­i­ly recipes, demon­strates how recipes can be passed down, safe­guard­ed, recon­struct­ed, and rein­vent­ed; how they can doc­u­ment a family’s pros­per­i­ty or bear wit­ness to struggle. 

Mem­o­ries of a Good Meal begins with Steven Fenves, a Holo­caust sur­vivor from the Yugosla­vian – Hun­gar­i­an bor­der, and his family’s beloved cook­book. The cook­book was lov­ing­ly saved by their non-Jew­ish cook, Maris, after the Fenves fam­i­ly was bru­tal­ly removed from their home and sent to Auschwitz-Birke­nau. After the war, Steven was reunit­ed with the cook­book thanks to Maris, and decades lat­er, Alon Shaya brings those recipes — among them, shat­ter­ing­ly crisp semoli­na cro­quettes, plush lamb and pota­to dough­nuts, and bakla­va-stuffed dates — to the home cooks of 2026 and back to Steven, as well. Shaya describes how mak­ing the bakla­va-stuffed dates for Steven, which he had nev­er eat­en before the war because they were del­i­ca­cies reserved for adults, began to mend some of the torn threads of the Fenves fam­i­ly history. 

Else­where in the cook­book, recipes emerge from con­di­tions of sur­vival. Par­ti­san Shalom Yoran hid in the unre­lent­ing Pol­ish woods, where find­ing food meant, on some days, risk­ing his life. This part of the cook­book includes a her­ring and pota­to sal­ad fea­tur­ing the pre­served fish that sus­tained the par­ti­sans through harsh win­ters. In anoth­er chap­ter, Sue Kunitomi’s expe­ri­ence in the Man­za­nar intern­ment camp in Cal­i­for­nia is brought to painful real­i­ty in dish­es such as chick­en teriya­ki with sage and rain­bow trout shioy­a­ki, adapt­ing clas­sic Japan­ese cook­ing to ingre­di­ents that would have been acces­si­ble in the arid cli­mate sur­round­ing Man­za­nar. This sec­tion also includes a recipe for rose-scent­ed but­ter mochi cake, a reminder of the ros­es fam­i­lies in the intern­ment camps plant­ed around their bar­racks to beau­ti­fy their grim locale.

Lat­er in the cook­book, Shaya and Hersh let us in on Nava­jo code talk­er John Kinsel’s sto­ry as an Amer­i­can sol­dier in Guam. This inter­view is accom­pa­nied by a recipe for Nava­jo fry bread, which Kin­sel fried on his hel­met while a sol­dier. The sto­ry of a Jew­ish woman, Celi­na Hecht, who was shel­tered by a Catholic fam­i­ly, is pre­served in a recipe for chilled blue­ber­ry soup — a ref­er­ence to the woman’s mem­o­ries of for­ag­ing for berries in the Bialowieza For­est on the out­skirts of Bia­lystok while in hiding. 

The final chap­ter in the book ends on a rel­a­tive­ly sweet note, describ­ing the expe­ri­ence of Jew­ish refugees who built a new life in the Sosúa colony in the Domini­can Repub­lic. Here, Shaya offers us recipes for green plan­tain latkes, red snap­per schnitzel along­side man­go sal­sa, and, tru­ly end­ing on a sweet note, a choco­late-apri­cot tres lech­es cake (mar­ry­ing the prized apri­cots of Austria’s Wachau region, where many of the Jew­ish refugees in Sosúa came from, with the Latin Amer­i­can classic).

In Mem­o­ries of a Good Meal, Shaya and Hersh craft a book in which food does not sim­ply illus­trate his­to­ry — it car­ries it. Each recipe is care­ful­ly mod­ern­ized with­out los­ing sight of the peo­ple who made, pre­served, and remem­bered it. These are sto­ries of forced move­ment, inge­nu­ity, loss, and hope, held togeth­er by the endur­ing human impulse to eat and to remem­ber. Shaya and Hersh are excel­lent guides through this glob­al history. 

Han­nah Kres­sel is a cur­rent fel­low at the Pardes Insti­tute of Jew­ish Stud­ies in Jerusalem. She holds a Mas­ters in Art His­to­ry from the Uni­ver­si­ty of Oxford and a Bach­e­lors in Art His­to­ry and Stu­dio Art from Bran­deis Uni­ver­si­ty. Her research exam­ines the inter­sec­tion of con­tem­po­rary art, food, and reli­gion. She is an avid bak­er and cook.

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