Non­fic­tion

Rise Above

  • Review
By – August 31, 2026

Dur­ing the ear­ly years of the Covid-19 pan­dem­ic, Matthew Schnip­per was a mag­a­zine edi­tor liv­ing in New York City with his wife, Alle­gra, and tod­dler son, Ren­zo, when the unimag­in­able hap­pened. Ren­zo died sud­den­ly on Christ­mas Eve 2021 from arte­ri­ove­nous mal­for­ma­tion in his brain, or AVM. It is a non-hered­i­tary con­di­tion he was born with and for which there are no pre­na­tal or post­na­tal tests. Schnip­per writes in his mem­oir, Rise Above, about his grief and the ways he found solace in the first cou­ple of years after Renzo’s death. Although this nar­ra­tive is per­son­al, it can pro­vide invalu­able guid­ance to any­one who expe­ri­ences the death of a loved one.

Schnipper’s Judaism is part of this sto­ry from the start. Schnip­per enhanced his record col­lec­tion with gifts from his b’nai mitz­vah after he and his twin sis­ter cel­e­brat­ed this mile­stone togeth­er. He also bought a mem­oir writ­ten by one of his favorite musi­cians, the punk and heavy met­al singer Hen­ry Rollins (née Hen­ry Lawrence Garfield). Decades lat­er, when Schnip­per became a father, he gave Ren­zo the mid­dle name Rollins. 

Although he was no stranger to child­hood ill­ness­es — Schnip­per under­went major surgery when he was a child to remove his colon and recon­struct part of his small intes­tine — the sud­den death of a child is some­thing for which no par­ent can pre­pare or ever get over. 

On the night Ren­zo died, Schnip­per con­sult­ed Reboot, a Jew­ish con­sor­tium loose­ly defined as peo­ple work­ing in media, social jus­tice, and the arts,” which he had first become involved with a decade before Ren­zo was born. The leader of Reboot advised Schnip­per to con­tact a rab­bi, and a few days lat­er he was on the phone with Rab­bi Sharon Brous. She sug­gest­ed he hold a shiv­ah to mourn and sole­ly focus on Ren­zo. Schnip­per writes about the heal­ing pow­ers of the mourner’s kad­dish: Sound­ing this out was a task, but I was glad to be told what to do, to stand naked before death and attempt to heal myself with ancient rit­u­al. To not be so cos­mi­cal­ly alone.”

It’s not uncom­mon for par­ents to split up soon after the death of a child, but Schnip­per and Alle­gra found a bal­ance for han­dling their grief that worked for them. They each devel­oped new inter­ests of their own — he a cloth­ing resale busi­ness and she pot­tery — while they remained com­mit­ted to one anoth­er and the future of their family.

Schnipper’s mem­oir is com­prised of beau­ti­ful writ­ing and the most thought­ful memo­r­i­al one could give a child who leaves this world all too soon. He con­cludes with a hope­ful out­look and one that he also alludes to in an ear­ly chap­ter: Every­one expe­ri­ences pain. The lessons I learned about strug­gle and sur­vival are uni­ver­sal. I imag­ined this book would be a guide. I want­ed to write it to help oth­er peo­ple. Of course, I end­ed up help­ing myself.” 

Susan Blum­berg-Kason is the author of three books, includ­ing Bernardine’s Shang­hai Salon: The Sto­ry of the Doyenne of Old Chi­na, and co-edi­tor of the anthol­o­gy Hong Kong Noir. She is work­ing on a biog­ra­phy of Gol­da Meir’s child­hood and teenage years in Mil­wau­kee and Denver.

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