Non­fic­tion

The Girl in Blue: Renoir’s Por­trait of a Dynasty Erased

  • Review
August 19, 2024

A sweep­ing and cin­e­mat­ic nar­ra­tive his­to­ry that fol­lows Renoir’s La Petite Irène, trac­ing its theft from one of Paris’s wealth­i­est Jew­ish fam­i­lies dur­ing WWII and the fate of the girl it immortalized.

A vivid and deeply report­ed por­trait of loot­ed art, mem­o­ry, and one fam­i­ly’s strug­gle for sur­vival and jus­tice dur­ing one of his­to­ry’s dark­est eras.” ‑Dana Canedy, New York Times best­selling author of A Jour­nal for Jordan

In 1941, a spe­cial­ized Ger­man loot­ing unit raid­ed the Cham­bord chateau in the Loire Val­ley of France and plun­dered one of Pierre-Auguste Renoir’s most haunt­ing mas­ter­works: La Petite Irène. The por­trait would enchant or curse near­ly every­one who cov­et­ed it, but the liv­ing, breath­ing girl it depict­ed slipped from view. This is her story.

She was Irène Cahen d’An­vers, born into Belle Époque priv­i­lege and a wealthy Jew­ish dynasty. Defi­ant by nature, she aban­doned her reli­gion and her arranged mar­riage, becom­ing a fig­ure at once scan­dalous, elu­sive and resilient. As the Occu­pa­tion gripped Paris, her fam­i­ly was tar­get­ed, per­se­cut­ed and deport­ed – pun­ished for demand­ing the return of what had been stolen. Irène sur­vived by hid­ing in plain sight, while ques­tions lin­gered decades lat­er about how and why.

Draw­ing on new­ly uncov­ered doc­u­ments, news­pa­per accounts, and archival records, Doreen Car­va­jal recon­structs the inter­twined jour­neys of a woman and a paint­ing that was seized by the Nazis, trad­ed through a shad­owy art mar­ket, and pur­sued by a pow­er­ful col­lec­tor. Their paths con­verge in a sto­ry of beau­ty and betray­al – the paint­ing a silent wit­ness to what his­to­ry tried to erase.

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