Chil­dren’s

The Secret Recipe

  • Review
By – September 1, 2025

A grand­moth­er and her grand­son share a close bond, but not a native lan­guage. This sce­nario is com­mon through­out Jew­ish his­to­ry, and also among any fam­i­ly includ­ing or descend­ed from immi­grants. In The Secret Recipe, Ilan Sta­vans and Taia Mor­ley use the con­cept to intro­duce a series of steps lead­ing to an even clos­er con­nec­tion between gen­er­a­tions. Prepar­ing a recipe for bourekas, the Sephardic grand­moth­er intro­duces the Ladi­no lan­guage and its deep-root­ed mean­ing in both their lives.

The sto­ry is set in Mex­i­co, and it becomes clear that the char­ac­ters are speak­ing Span­ish to one anoth­er even though the book is writ­ten in English.When the boy asks his grand­moth­er why the words in her recipe, hand­ed down from their ances­tors, are dif­fer­ent. She replies, because they didn’t speak Span­ish like we do. They spoke a secret lan­guage.” As the sto­ry begins, Abuela and her grand­son are about to embark on a project togeth­er. She announces una meren­da azer­e­mos,” and his answer encap­su­lates the gap between them: I don’t under­stand what you’re say­ing.” She explains that they are going to pre­pare a spe­cial dish, and the rest of the book will fol­low the struc­ture of fol­low­ing steps towards an impor­tant goal. Each new ingre­di­ent is also a new word in Ladi­no. Each one of the boy’s ques­tions leads to new infor­ma­tion about his­to­ry, and a new link in the chain of traditions.

When the boy asks his moth­er how a lan­guage can be secret,” she replies that Ladi­no, the lan­guage once spo­ken by Span­ish Jews, is now only spo­ken by a small group of peo­ple,” allud­ing to its vul­ner­a­bil­i­ty. She nar­rates a sim­pli­fied ver­sion of the Jews’ expul­sion from Spain by intol­er­ant mon­archs, depict­ed by Mor­ley as an ele­gant­ly dressed king and queen seat­ed on their thrones. Since the scene is con­jured by his mother’s words in the boy’s imag­i­na­tion, the illustration’s back­ground con­tains the pots, pans, and blue and white tiles of their family’s kitchen. The next scene shows a father and young child wav­ing to a depart­ing ship. The Ladi­no lan­guage, explains the boy’s moth­er, became a key part of their dual iden­ti­ty, pre­served over cen­turies in their dai­ly speech, and even their dreams.

Bold col­or is a key ele­ment of the illus­tra­tions, with jew­el tones pre­dom­i­nat­ing in the warm scenes of fam­i­ly life. Abuela projects both warmth and dig­ni­ty, dressed for bak­ing whether in her berry-col­ored, or mus­tard-gold dress, and her white apron. Her face is real­is­ti­cal­ly lined and her hair is gray, while the boy and his moth­er have the same dark curls. Ceram­ic dish­es match the var­ied shades of the food they hold.

Inspired by what he has learned, the boy under­takes the ambi­tious project of learn­ing the secret lan­guage. The bourekas that he helps to pre­pare, and serves to his fam­i­ly, are more than just a deli­cious con­coc­tion of güevos, kezo, and maza (eggs, cheese, and dough). They are his way of unlock­ing the secret lan­guage, ensur­ing its con­ti­nu­ity for one more gen­er­a­tion. The Secret Recipe is high­ly rec­om­mend­ed and includes a glos­sary as well as a recipe for bourekas with white cheese.

Emi­ly Schnei­der writes about lit­er­a­ture, fem­i­nism, and cul­ture for TabletThe For­wardThe Horn Book, and oth­er pub­li­ca­tions, and writes about chil­dren’s books on her blog. She has a Ph.D. in Romance Lan­guages and Literatures.

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