Writer-performer. Translated Ad- ventures of Max Spitzkopf: The Yiddish Sherlock Holmes and The Mother of Yiddish Theatre: Mem- oirs of Ester-Rokhl Kaminska (both 2025). In operetta The Sorceress, brought a “keen, if malevolent, psychology” to the title role (New York Times). His The Gospel Accord- ing to Chaim was the first new Yiddish drama in decades, “jolting the repertoire with a work both traditional and delightfully subversive” (Forward).
