Pho­to by Dana Ward on Unsplash

Novem­ber 13th of this year will mark the 100th cel­e­bra­tion of Jew­ish Book Month! Held the month before Hanukkah, this annu­al tra­di­tion traces its roots to the work of intre­pid Boston librar­i­an Fan­ny Gold­stein. (Dig into the his­to­ry of Jew­ish Book Month here and find out how you can join the cel­e­bra­tion here.)

In recog­ni­tion of this mile­stone, the JBC edi­to­r­i­al team put their heads togeth­er to cre­ate a read­ing list of excep­tion­al works of fic­tion over the past cen­tu­ry, one (okay, two!) nov­els for every decade. What works of fic­tion would be on your best of the decade list? Write us a note to info@​jewishbooks.​org and we’ll be shar­ing these lat­er in the month!

1920s

Bread Givers by Anzia Yezierska

Bead Givers fol­lows the sto­ry of Sara Smolin­sky, a Jew­ish immi­grant in the ear­ly 1900s who is deter­mined to escape the fate of her three old­er sis­ters: a life dic­tat­ed by the wills of men.” ~Adi­na Applebaum

The Tri­al by Kafka

Writ­ten in 1914, The Tri­al is the ter­ri­fy­ing tale of Josef K., a respectable bank offi­cer who is sud­den­ly and inex­plic­a­bly arrest­ed and must defend him­self against a charge about which he can get no infor­ma­tion.” ‑From the publisher

1930s

The Pas­sen­ger by Ulrich Alexan­der Boschwitz, trans­lat­ed by Philip Boehm

Writ­ten in the weeks fol­low­ing Kristall­nacht, when Boschwitz was just twen­­ty-three, The Pas­sen­ger offers an inti­mate por­trait of Jew­ish life in pre­war Nazi Ger­many at the onset of dehu­man­iza­tion, before the yel­low star was imposed. What remains unset­tling is how Boschwitz ren­ders the men­tal­i­ty of Germany’s deeply assim­i­lat­ed Jews, who felt more Ger­man than Jew­ish, but ulti­mate­ly under­stood the Nazis’ plans and sought to escape a hor­rif­ic fate.” ‑Don­ald Weber

The Broth­ers Ashke­nazi by I.J. Singer

The Broth­ers Ashkanazi was the first book that I.J. Singer pub­lished after arriv­ing in New York from War­saw in 1934. Its ambi­tion and range were unprece­dent­ed in Yid­dish lit­er­a­ture … and it called forth com­par­isons to Tol­stoy.” ‑Rebec­ca New­berg­er Goldstein

1940s

As a Dri­ven Leaf by Mil­ton Steinberg

The mag­nif­i­cent work of mod­ern fic­tion that brings the age of the Tal­mud to life. The char­ac­ters include the well-known his­tor­i­cal fig­ures: Aki­ba, Yohanan, Joshua, Eleazar, Beruri­ah, and Elisha ben Abuyah, whose strug­gle to live in two worlds destroyed his chance to live in either.” ‑From the publisher

Focus by Arthur Miller

Writ­ten in 1945, Focus was Arthur Miller’s first nov­el and one of the first books to direct­ly con­front Amer­i­can antisemi­tism.” ‑From the publisher

1950s

The Assis­tant by Bernard Malamud

Like Mala­mud’s best sto­ries, this nov­el unerr­ing­ly evokes an immi­grant world of cramped cir­cum­stances and great expec­ta­tions. Mala­mud defined the immi­grant expe­ri­ence in a way that has proven vital for sev­er­al gen­er­a­tions of writ­ers.” ‑From the publisher

Mar­jorie Morn­ingstar by Her­man Wouk

In this mem­o­rable nov­el, Her­man Wouk, win­ner of the Pulitzer Prize, has cre­at­ed a sto­ry as uni­ver­sal, as sen­si­tive, and as unmis­tak­ably authen­tic as any ever told.” ‑From the publisher

1960s

Good­bye, Colum­bus and Five Short Sto­ries by Philip Roth

Good­bye, Colum­bus is the sto­ry of Neil Klug­man and pret­ty, spir­it­ed Bren­da Patimkin, he of poor Newark, she of sub­ur­ban Short Hills, who meet one sum­mer break and dive into an affair that is as much about social class and sus­pi­cion as it is about love.” ‑From the publisher

Her­zog by Saul Bellow

In one of his finest achieve­ments, Nobel Prize win­ner Saul Bel­low presents a mul­ti­fac­eted por­trait of a mod­­ern-day hero, a man strug­gling with the com­plex­i­ty of exis­tence and long­ing for redemp­tion.” ‑From the publisher

1970s

The Pagan Rab­bi and Oth­er Stories by Cyn­thia Ozick

Ozick is a kind of nar­ra­tive hyp­no­tist. Her range is extra­or­di­nary; there is seem­ing­ly noth­ing she can’t do. Her sto­ries con­tain pas­sages of intense lyri­cism and bril­liant, hilar­i­ous, uncon­tain­able inven­tive­ness.” ‑From the publisher

Wednes­day the Rab­bi Got Wet by Har­ry Kemelman

When the dead man’s fam­i­ly sug­gests the mix-up was inten­tion­al, both the drug­gist and his son become sus­pects and it’s up to Rab­bi Small to inves­ti­gate by draw­ing on some Old Tes­ta­ment wis­dom in a vil­lage of New Age fads.” ‑From the publisher

1980s

Enor­mous Changes at the Last Minute: Sto­ries by Grace Paley

In this col­lec­tion of sev­en­teen sto­ries, she cre­ates a​‘sol­id and vital fic­tion­al world, cross-ref­er­enced and dense with life’ (Wal­ter Clemons, Newsweek).” ‑From the publisher

The Rit­u­al Bath by Faye Kellerman

Detec­tive Peter Deck­er of the LAPD is stunned when he gets the report. Some­one has shat­tered the sanc­tu­ary of a remote yeshi­va com­mu­ni­ty in the Cal­i­for­nia hills with an unimag­in­able crime.” ‑From the publisher

1990s

The Gift of Ash­er Lev by Chaim Potok

It is a jour­ney of con­fronta­tion and dis­cov­ery as Ash­er purges his past in search of new inspi­ra­tion for his art and begins to under­stand the true mean­ing of sac­ri­fice and the painful joy in shar­ing the most pre­cious gift of all.” ‑From the publisher

Beyond the Pale by Elana Dykewomon

Both epic and inti­mate, the book takes read­ers deep inside diverse worlds, with har­row­ing and hero­ic sto­ries of mid­wifery, the Russ­ian pogroms, and ear­ly les­bian life.” ‑From the publisher

2000s

The Amaz­ing Adven­tures of Kava­lier & Clay by Michael Chabon

Out of their fan­tasies, fears, and dreams, Joe and Sam­my weave the leg­end of that unfor­get­table cham­pi­on the Escapist. And inspired by the beau­ti­ful and elu­sive Rosa Saks, a woman who will be linked to both men by pow­er­ful ties of desire, love, and shame, they cre­ate the oth­er­world­ly mis­tress of the night, Luna Moth. As the shad­ow of Hitler falls across Europe and the world, the Gold­en Age of com­ic books has begun.” ‑From the publisher

The His­to­ry of Love by Nicole Krauss

The author of this deeply mov­ing nov­el plays with the way acci­dent and coin­ci­dence, dreams and delu­sions, define and com­fort those who have loved and lost.” ‑Joan Baum

2010s

The Weight of Ink by Rachel Kadish

The beau­ty of this sto­ry is in the vari­ety of its milieus and sen­si­bil­i­ties. As we fol­low our female pro­tag­o­nists of both the sev­en­teenth and twen­­ty-first cen­turies — Ester Velasquez and Helen Watt, respec­tive­ly — we also wit­ness the goings-on of a ven­er­a­ble and drafty house of a rab­bi in 1660s Lon­don, and glimpse the mod­ern life of a cheeky young Amer­i­can man with heartrend­ing trou­bles of his own.” ‑Kristin Gibbons

Call Me By Your Name by André Aciman

The author’s extra­or­di­nary use of lan­guage evokes long, lux­u­ri­ous sun-drenched days by the sea, first love, deep inti­ma­cy, and the forever­ness of youth. The whole piece, read start to fin­ish (and it’s hard to put down once begun) flows and ebbs, wax­es and wanes like life and love and end­less sum­mer days.” ‑Michal Hoschan­der Malen

2020s

The Heav­en & Earth Gro­cery Store by James McBride

The Heav­en & Earth Gro­cery Store is an excel­lent read for those inter­est­ed in Amer­i­can his­to­ry, and it is anoth­er exam­ple of James McBride’s tal­ent as a nov­el­ist.” ‑Ben­jamin Selesnick

Songs for the Bro­ken­heart­ed: A Nov­el by Ayelet Tsabari

This soar­ing nov­el does jus­tice to it all: the fever­ish highs and lows of love affairs, per­son­al and col­lec­tive forms of grief, tem­pes­tu­ous fam­i­ly dra­mas, issues of gen­der and belong­ing, and Israel’s divi­sive pol­i­tics.” ‑Ranen Omer-Sherman