Non­fic­tion

Sto­ries Car­ry: We all car­ry them. Some even car­ry us.

  • Review
By – October 19, 2026

Dena Schus­ter­man grew up in North­ern Cal­i­for­nia and New Mex­i­co as the daugh­ter of Chabad shluchim, or emis­saries. Her father start­ed the first Chabad house at UC-Berke­ley. Now the moth­er of eight, Schus­ter­man has also spent her adult years as a Chabad shlucha, in Atlanta, along with her hus­band, Eliyahu. Schusterman’s mem­oir, Sto­ries Car­ry, pro­vides a fas­ci­nat­ing look at Chabad-Lubav­itch life in the Unit­ed States in places far from the Hasidic Brook­lyn hub. 

At the begin­ning of her book, Schus­ter­man writes that her favorite child­hood mem­o­ries — and the sus­te­nance of her for­ma­tive years — were sto­ries her par­ents told her that were passed down from their own par­ents. Her mater­nal grand­par­ents were Holo­caust sur­vivors from Poland while her father’s par­ents fled Stalin’s USSR for Israel a year before its inde­pen­dence. Schusterman’s writ­ing is vivid, even in parts of the book that take place decades before she was born. She describes her grand­par­ents’ des­per­a­tion to leave their home coun­try for good: ​“Rus­sia is no longer their home. Although their fam­i­lies have lived here for cen­turies, and Moth­er Rus­sia is the blood cours­ing through their veins, through rev­o­lu­tions and pogroms alike, they will stay no longer. They are done being mar­gin­al­ized and forced into sub­mis­sion. What­ev­er it takes, they are get­ting out of hell.”

As for her own sto­ry, instead of start­ing with her child­hood and pro­gress­ing chrono­log­i­cal­ly, she struc­tures her mem­oir in alter­nat­ing time­lines, one about her child­hood in Cal­i­for­nia and New Mex­i­co and the oth­er about the last fif­teen years in Atlanta. The two nar­ra­tives flow well togeth­er, cul­mi­nat­ing in life-chang­ing episodes for her par­ents and for her and her husband. 

Her father was some­thing of a free spir­it in his com­mu­ni­ty. For his first assign­ment as a Chabad shli­ach, he was sent to the San Fran­cis­co Bay Area at the height of the hip­py era. In such an envi­ron­ment, Schusterman’s child­hood was dif­fer­ent from that of most frum girls. She felt that she was ​“not quite Berke­ley, not quite Crown Heights. It took me a while to real­ize that for many Jew­ish Cal­i­for­ni­ans, Judaism wasn’t inher­it­ed — it had to be active­ly found. Espe­cial­ly when, for some, their fam­i­lies had come to Cal­i­for­nia explic­it­ly to get away from the Jew­ish world.”

She describes the Berke­ley Chabad House as a mix­ture of chick­en soup, psy­che­del­ic music, and mar­i­jua­na (one bor­der grew it on the house’s rooftop until he was caught). For Schus­ter­man and oth­ers who fre­quent­ed the Chabad House, her par­ents pro­vid­ed a sense of sta­bil­i­ty in a con­fused world. Yet her par­ents left Cal­i­for­nia for New Mex­i­co when Schus­ter­man was still a young girl. That part of the sto­ry is addressed late in the book, coin­cid­ing with Schus­ter­man and her husband’s own reex­am­i­na­tion of their place in the Atlanta Chabad community. 

Schusterman’s mem­oir shows that Hasidic life is more var­ied than out­siders may imag­ine. Her book is also time­ly, as Chabad hous­es in uni­ver­si­ties across the Unit­ed States have become a home away from home for many Jew­ish students.

Susan Blum­berg-Kason is the author of three books, includ­ing Bernardine’s Shang­hai Salon: The Sto­ry of the Doyenne of Old Chi­na, and co-edi­tor of the anthol­o­gy Hong Kong Noir. She is work­ing on a biog­ra­phy of Gol­da Meir’s child­hood and teenage years in Mil­wau­kee and Denver.

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