Fic­tion

Del­i­cate

  • Review
By – October 2, 2026

Pub­lished to acclaim in Ger­many, Ron Segal’s Del­i­cate is now com­ing to an Eng­lish-speak­ing audi­ence through a col­lab­o­ra­tion between Ayin Press and JBC’s Nu Reads pro­gram (and will be wide­ly avail­able for pur­chase in ear­ly 2027). This nov­el traces the frac­tured exis­tence of Adam Schu­mach­er, an Israeli nov­el­ist and Holo­caust sur­vivor. Adam is falling deep­er and deep­er into the recess­es of demen­tia; the recent death of wife Bel­la pro­pels him to return to Berlin, the place where his sto­ry — the sto­ry that will sin­gu­lar­ly define him in the eyes of oth­ers, no mat­ter what else has tran­spired — began. Segal is deft in assem­bling a char­ac­ter whose iden­ti­ty as a Holo­caust sur­vivor and writer cre­ates ready-made points of ten­sion in regards to mem­o­ry and its limits. 

Del­i­cate does, indeed, grap­ple with an extreme­ly del­i­cate ques­tion: how should we engage with the mem­o­ries of a Holo­caust sur­vivor when those mem­o­ries are no longer reli­able? There is an obvi­ous answer: that the truth of an indi­vid­ual survivor’s nar­ra­tive should be sub­sumed under the uni­ver­sal com­mand­ment to Nev­er For­get — a com­mand­ment that Adam finds amus­ing, espe­cial­ly as his mem­o­ry loss rapid­ly increas­es. ​“Life is a sto­ry; I look at it and real­ize that Max was wrong, no one remem­bers the begin­ning,” he mus­es. ​“All that is left to cling on to is the pathet­ic end of old peo­ple, whose mem­o­ries of midlife have fall­en into the spaces between cells in the brain, and con­trary to what the chil­dren and grand­chil­dren think when they vis­it the old folks’ home — they are aware of what is hap­pen­ing to them, of the last para­graph that is being writ­ten, the only thing that they are com­pelled to remem­ber.” In oth­er words: age makes liars of us all, no mat­ter what we endured in our youth. The loss of his Bel­la, the details of which grow increas­ing­ly fuzzy as the nar­ra­tive pro­gress­es, is the tragedy Adam wants to speak about, to com­pel oth­ers to remem­ber. The Holo­caust was a forced back­drop; can he not exert choice over which tragedy in his life was the most bru­tal to endure? 

Though this is a somber and med­i­ta­tive book, there are smart, absur­dist vignettes that catch the read­er off guard. A Ger­man doc­tor, afraid to draw blood from the area of Adam’s arm where his tat­too is, says that he respects Adam and “ … wouldn’t want to stick a nee­dle in [his] arm in the region of the num­ber.” ​“When you are a celebri­ty,” Adam intones to the read­er, ​“your num­ber becomes a celebri­ty along with you. I look down at my arm and see how all the red dots around the num­ber tes­ti­fy to unsuc­cess­ful attempts to insert an intra­venous drip.”

Ulti­mate­ly, Del­i­cate is a dif­fer­ent kind of Holo­caust book — one that active­ly resists the label. Read­ers who sur­ren­der to Adam’s frag­ment­ed flash­es through past and present are reward­ed in Segal’s expert com­mand of lan­guage, ren­dered sharp and exact­ing in trans­la­tion. In the end, Adam Schu­mach­er, fic­tion­al as he is, wants to be able to choose how he is remem­bered, with the under­stand­ing that even col­lec­tive mem­o­ry is not per­ma­nent. Read­ers will be inclined to agree with him. 

Jus­tine Orlovsky-Schnit­zler is a writer, folk­lorist, and Yid­dishist. She is a fre­quent con­trib­u­tor to Lilith mag­a­zine, and her work has also been fea­tured in South­ern Cul­tures, the Jew­ish Wom­en’s Archive, In geveb, the Bit­ter South­ern­er, Slate, and the New York Times. She coedit­ed An Amer­i­can Girl Anthol­o­gy: Find­ing Our­selves in the Pleas­ant Com­pa­ny Uni­verse, which was pub­lished in May 2025 by Uni­ver­si­ty Press of Mississippi. 

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