Non­fic­tion

When She Remem­bered: Sev­en Women Who Trans­formed French Holo­caust Memory

  • Review
By – October 26, 2026

In When She Remem­bered: Sev­en Women Who Trans­formed French Holo­caust Mem­o­ry, his­to­ri­an Ash­ley Valan­zo­la recon­structs the wartime expe­ri­ences and decades-long activism of sev­en French Jew­ish women: Denise Bau­mann, Sabine Zlatin, Simone Veil, Simone Lagrange, Denise Ver­nay, Denise Siekier­s­ki, and Monique Novodor­squi-Deni­au. Draw­ing on archival research, oral his­to­ries, and inter­views — includ­ing con­ver­sa­tions with Didi­er Weill, the nephew of Denise Bau­mann — Valan­zo­la presents these women not just as sur­vivors but also as fig­ures who active­ly reshaped how France remem­bered the Holo­caust. The book’s main goal, which it achieves, is to move the nar­ra­tive of Jew­ish women dur­ing the Holo­caust beyond vic­tim­hood to agency, resis­tance, and polit­i­cal activism.

Valan­zo­la begins with the women’s expe­ri­ences under the Vichy gov­ern­ment and the Ger­man occu­pa­tion, exam­in­ing both per­se­cu­tion and the var­ied ways they respond­ed to it. Their sto­ries demon­strate the impor­tance of resis­tance that took oth­er forms than armed com­bat. Women par­tic­i­pat­ed in res­cue net­works, hid chil­dren, forged doc­u­ments, trans­port­ed sup­plies, and cre­at­ed net­works of sur­vival. More broad­ly, the book chal­lenges the ten­den­cy to sep­a­rate Jew­ish per­se­cu­tion from French resis­tance, show­ing how Jew­ish women them­selves par­tic­i­pat­ed in efforts to resist Nazi per­se­cu­tion. Valanzola’s empha­sis on gen­der and the dis­tinct ways women par­tic­i­pate in mem­o­ry work is par­tic­u­lar­ly sig­nif­i­cant, as she demon­strates how women’s expe­ri­ences and activism shaped the broad­er con­tours of Holo­caust memory.

Per­haps most com­pelling is Valanzola’s exam­i­na­tion of what hap­pened after lib­er­a­tion. The sev­en women car­ried the psy­cho­log­i­cal and emo­tion­al trau­ma of the Holo­caust with them, but they also became increas­ing­ly involved in tes­ti­mo­ny, memo­ri­al­iza­tion, and polit­i­cal activism. Valan­zo­la argues that their post­war work trans­formed pri­vate mem­o­ries into a broad­er pub­lic reck­on­ing with France’s wartime his­to­ry. One exam­ple of many is that, imme­di­ate­ly post­war, Denise Bau­mann joined the Mou­ve­ment Nationale Con­tre le Racisme, where she helped returned depor­tees. The women’s efforts helped shift French Holo­caust mem­o­ry away from an exclu­sive empha­sis on suf­fer­ing and toward recog­ni­tion of Jew­ish agency and resistance.

Valanzola’s dis­cus­sion of Simone Veil and the tri­al of Klaus Bar­bie is par­tic­u­lar­ly reveal­ing. Veil, her­self a sur­vivor of Auschwitz, became an impor­tant voice in debates sur­round­ing the tri­al and the rela­tion­ship between Jew­ish per­se­cu­tion and the tra­di­tion­al French nar­ra­tive of Resis­tance. Barbie’s tri­al forced France to con­front not only Nazi crimes but also the com­pli­cat­ed lega­cy of Vichy col­lab­o­ra­tion. Wit­ness­es such as Zlatin and Lagrange helped ensure that Jew­ish vic­tims remained at the cen­ter of the pro­ceed­ings, while Veil chal­lenged attempts to blur the dis­tinc­tion between the Holo­caust and oth­er wartime experiences.

Ulti­mate­ly, When She Remem­bered is a study not only of sur­vival but also of mem­o­ry itself. By trac­ing how sev­en women trans­formed trau­ma into tes­ti­mo­ny, activism, and remem­brance, Valan­zo­la demon­strates that Holo­caust mem­o­ry is nei­ther sta­t­ic nor inevitable. It is con­struct­ed by sur­vivors who, decades after the war, con­tin­ued to insist that their expe­ri­ences — and their resis­tance — be remembered.

Dr. Sarah Zil­ber­stein earned her Ph.D. in Eng­lish from the Uni­ver­si­ty of Wis­­con­sin-Madi­­son in 2024. Her dis­ser­ta­tion exam­ined rep­re­sen­ta­tions of mas­culin­i­ty in medieval lit­er­ary and med­ical texts. Her schol­ar­ship has appeared in Essays in Medieval Stud­ies, Pere­gri­na­tions, Medieval Fem­i­nist Forum, and The Cam­bridge Uni­ver­si­ty Library Spe­cial Col­lec­tions Blog. She also recent­ly pub­lished a review of the artist Liz Scheer’s solo show ​“Noc­tura­ma” at Galerie Shibu­mi for Two Coats of Paint, a blogazine that cov­ers paint­ing in NYC. Cur­rent­ly based in New York City, Sarah teach­es high school Eng­lish. She holds a B.A. in Eng­lish from Barnard Col­lege, where she grad­u­at­ed sum­ma cum laude in 2015. In her spare time, Sarah enjoys par­tic­i­pat­ing in Jew­ish learn­ing oppor­tu­ni­ties, see­ing dance per­for­mances, and try­ing new restaurants. 

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